Take Shelter
Writer-director Jeff Nichols re-teams with his Shotgun Stories star Michael Shannon for his second feature, Take Shelter, which has a similar setting, but a different mood. Nichols is still concerned with family legacies, and the ways people in smaller communities relate to each other, but Take Shelter is slower and smoother, deliberately developing a mood of creeping dread. Shannon plays a husband and father who works a good-paying manual-labor job by day, then returns at night to a well-kept, decent-sized house. Then Shannon begins having a disturbing recurring dream about a massive, poisonous storm that prompts erratic behavior in humans and animals. Knowing that his own mother was diagnosed as a paranoid schizophrenic in her mid-30s, Shannon takes steps toward getting treated, just in case he’s developing his own mental illness. But he also starts building an elaborate extension to his home’s tornado shelter, and laying in supplies. All the while, he tries to keep his wife, Jessica Chastain, from discovering what’s going on, because if it all turns out to be nothing, he doesn’t want to have worried her for no reason. He’d rather handle his own business.