Volume 3 does have some distinct winners: Run Wrake's "Rabbit" is a
terrifically creepy morality tale about two greedy children and a magical idol,
told in a style reminiscent of an old Fun With Dick And Jane book. Bill Plympton contributes two
shorts, but his eerie murder mystery "Shuteye Hotel" is the better of the two,
a dark, shadowy stylistic stretch for the prolific tourney fixture. "Versus" is
poppy, creative, and eye-catching. And Guilherme Marcondes' gorgeous "Tyger"
mixes puppeteering with a variety of animation styles for a visual tour de
force.
But overlong and undercooked pieces still dominate. The
biggest offender is "Everything Will Be OK" by Don Hertzfeldt, Judge's curating
partner on this and the two previous installments of The Animation Show.
Hertzfeldt has done winning work in the past with his quivery stick figures,
notably on "Billy's Balloon" and the Oscar-nominated "Rejected." But at a
draggy 17 minutes, "Everything Will Be OK" is shapeless and self-indulgent, and
it squanders its trippy surrealism on punishing audio and visual experiments.
Matthew Walker's CGI "Astronauts" pads a funny premise with dead air and lax
comic timing. Daniel Nocke's visually interesting "No Room For Gerold" does
nothing with its premise of anthropomorphic animals sharing a flat. Joanna
Quinn's "Dreams And Desires" features gorgeously loose, expressive animation,
hindered by muddy sound and all-but-unintelligible dialogue. As with most animation
festivals, this one is a grab bag of the good, the bad, and the ugly, but
mostly, it centers on the pretty-but-in-need-of-editing.
Key
features: Blah
interviews with a couple of the artists, MTV series trailers, and an
incongruous but welcome eight-minute trailer summing up the old animated series The Maxx. When
is that coming
out on DVD, you MTV teases?
