If one were to create a Venn diagram of Larry David and David Lynch’s artistic choices, the intersection would consist largely of awkward social exchanges. Lynch characters affect a detached delivery that fractures the conversation into two distinct monologues occurring at the same time and place. Larry David’s fractured interactions come by way of his sense of entitlement, boundary issues, and double standards. Lynch characters can be oddly herky-jerky; David characters are just odd jerks.