The Streets: Computers And Blues
Mike Skinner’s uneasy relationship with his Streets creation has been evident since 2006’s The Hardest Way To Make An Easy Living, a paranoid pitfalls-of-celebrity album that predicted the New Age retreat of 2008’s Everything Is Borrowed. Much of that can probably be attributed to Skinner’s milieu—pub-crawls, kebab-shop dust-ups, and morning-after café conversations—and the increasing distance from such twentysomething matters. Or maybe it’s just the impossibility of topping two boundary-pushing early records, and the exhaustion of trying. Whatever the reason, it’s no surprise that Computers And Blues is the final Streets album, as it’s long been clear that Skinner’s heart is no longer in it.