The Witch's Robert Eggers had to convince Polish authorities he wasn't a Satanist
The latest installment of A24's Deep Cuts podcast is a must-listen, featuring a chat between two of the most exciting names in genre filmmaking at the moment: Robert Eggers and Ari Aster. 2019 sees the release of sophomore features from both directors; Aster’s Midsommar, in theaters now, and Eggers’ The Lighthouse, arriving later this year. It’s been four years since Eggers made his debut with the hit horror flick The Witch, which became an instant favorite among the genre crowd (and inspired exhausting debates on social media over its classification as a horror film—the surest sign that you’ve made a very good horror movie). Although ultimately successful, Eggers explains that the marketing was a point of contention between the filmmaker and A24: