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Zazie Beetz brings grace to the gory action routine of They Will Kill You

Among the many recent movies about a single badass fighting a gory war against endless henchmen, this one stands out.

Zazie Beetz brings grace to the gory action routine of They Will Kill You

Some years ago, Zazie Beetz had the unlikely distinction of emerging from a Deadpool movie as a potentially credible action star, in large part because her character Domino was only a figurative cartoon character, rather than one literally brought to life with computer effects. That’s not to say her fight scenes avoided heavy CG trickery; just that Beetz looked the least dragged-and-dropped into the action, maybe paradoxically owing to her unflappable deadpan. Beetz makes a belated return to action with They Will Kill You, a movie that seems like it shares DNA with the Deadpool movies—as so many recent action movies do, even when they’re aiming for The Raid. It’s styled like a comic book that would particularly excite a 12-year-old; relatedly irreverent in its humor; and brazenly, cartoonishly gory in its violence, all qualities that align it with Ready Or Not 2, Pretty Lethal, and Mike & Nick & Nick & Alice—and that only covers its peers of the last week. Deadpool-wise, it does those movies one better by featuring some characters who can (eventually) keep fighting after getting limbs sliced off, just like the merc with the mouth.

Though They Will Kill You is not a true original, it manages to do a little more than bounce around the John Wick-to-Deadpool spectrum (also known as the David Leitch Scale). Despite her connection to one of those franchises, Beetz is one reason why. As Asia Reaves, a woman fresh out of prison who gets a maid job at an upscale apartment building called The Virgil, she’s handed a familiar character: A protective warrior of few words, searching for her younger sister Maria (Myha’la), who she was forced to surrender back to their abusive father when a failed escape resulted in her arrest. It wouldn’t be accurate to say that Beetz turns Asia into a fully dimensionalized person. It more than suffices, however, that she fights her way through the pulp with a ferocity that feels genuine.

Asia knows that Maria works somewhere within The Virgil, and knows that she may need her well-honed combat skills to retrieve her. She’s less aware, however, of the building’s specifically sinister nature, hidden by its head of staff Lilith (Patricia Arquette with an Irish accent for some reason) and wealthy tenants like Sharon (Heather Graham) and Kevin (Tom Felton). Compared to the Ready Or Not movies also encompassed by this particular trend, They Will Kill You goes easy on the stale “fucking rich people!” jokes (though it does all but reprise that line from the first Ready Or Not). The Virgil residents are rich and powerful, but they do at least some of their own dirty work, setting upon their new recruit almost immediately; the gnarly resilience of Graham and Felton in particular serves as a funny counterpoint to the usual wave after wave of anonymous henchmen. This may dilute the satire, but They Will Kill You isn’t insightful enough for that to matter much.

As Asia fends off her unexpected attackers, Beetz (and presumably a talented stuntwoman) perform with the lithe physicality of a dancer. Director Kirill Sokolov emphasizes the squeaks and scuffs of his heroine repeatedly sliding and rolling across the floor; he emphasizes some other stuff by placing Beetz in her underwear for a prolonged action sequence. Beetz spends the movie adroitly balancing between different forms of exploitation and, at the same time, owning them. She passes the dual action/star endurance test.

Sokolov and his co-writer Alex Litvak make two particularly good decisions here, beyond simply observing Beetz run, jump, crawl, shoot, and stab. The first involves prioritizing visual storytelling, which shouldn’t be so unusual for an action movie—but so many on this level can’t resist adding profanity-laden banter like they’re holding court at middle-school recess. Even They Will Kill You, which has some wonderfully dialogue-free stretches, succumbs to some degree. Somehow, every single time Asia appends “bitch” to the end of a sentence, it sounds specifically like she’s knocking off Kill Bill Vol. 1, despite that exceedingly common nature of that particular linguistic flourish. At least it’s terse.

The second and related good decision from Sokolov and Litvak is to lean into horror, and not just in the impressive levels of practical arterial spray (though a lack of CG blood is always appreciated). The big, easy-to-guess, early-revealed secret of the Virgil’s inhabitants lends itself well to a more fantastical, Sam Raimi-ish level of splat-stick than many more horror-adjacent entries in this subgenre. There’s a sequence where Asia and her pursuers crawl and grapple through a series of small tunnels that’s both logistically creative as action and amusingly reminiscent of an Alien movie—and that’s before it introduces what will almost certainly stand as cinema’s most delightful errant eyeball of the year.

They Will Kill You eventually loses some steam, or maybe just the resources to keep leaping over the top; it’s a bit perverse to set up The Virgil as a fortress of old Manhattan architecture and only show a handful of its many floors. (That’s one of several ways that this Cape Town-shot movie feels like it’s taking place in a less-populated corner of John Wick’s New York.) The sister-to-sister dynamic disappointingly echoes a highly similar story in Ready Or Not 2, marginally better-handled here but still almost insulting in its low-arc simplicity. But after so many smirky bloodfests, They Will Kill You scarcely needs believable human relationships to earn some goodwill. All it really needs is Beetz convincingly going through hell.

Director Kirill Sokolov
Writers: Kirill Sokolov, Alex Livtak
Stars: Zazie Beetz, Patricia Arquette, Heather Graham, Tom Felton, Myha’la
Release Date: March 27, 2026

 
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