Aimee Mann is the most conservative musician P.T.
Anderson has ever taken cues from, but that shouldn't make her the least
respected. In the pop-classicist vein, she's emerged as the fabled "songwriter's
songwriter"—a polite euphemism for someone whose well-constructed dirges
run deep, but aren't attention-grabbing, someone doomed to forever land on the
wrong side of the commercial ledger. But if anything, Mann's prescient decision
to bail from the record industry (well before it was fashionable) has narrowed
her sonic horizons; once pressured by innovative producers like Jon Brion to
drape her stolid songs with up-to-date arrangements, Mann has beat a steady
retreat into plodding '70s grooves since 2000's Bachelor
No. 2.
Unwisely picking up where 2005's The
Forgotten Arm
left off, @#%&*! Smilers offers craft and monotony
in equal measure. The promising directions are also the tersest: "Stranger Into
Starman" revamps chamber-pop via Broadway in under two minutes, and the even
jazzier closing duet "Ballantines" is adorably bouncy. With rare exceptions
("Ghost World"), Mann has always been more of a melancholy mood-setter than a
storyteller, which is no help for the many, many wrist-cutters on display here.
(Dishonorable mention goes to "Medicine Wheel," a piano-based ballad sounding
like the wimpiest of '70s singer-songwriter refugees.) Mann's formidable talent
demands collaborators pushing counterintuitive arrangements; she's offering
fewer colors with every album.
