Why you need to be watching Alaska Daily, ABC's timely and compelling drama
The Hilary Swank-led series delivers a smart portrayal of modern journalism as it examines the plight of Missing and Murdered Indigenous Women

Writer-director Tom McCarthy, who won an Oscar for Best Original Screenplay with 2015’s Spotlight—a film based on the Boston Globe’s coverage of the Catholic church child molestation scandal—delivers another smart portrayal of journalism with ABC’s Alaska Daily. The Hilary Swank-led show, which has its midseason premiere on March 2, portrays the necessity, challenges, and triumphs of local journalism in a way that’s quietly compelling. The series’ accuracy is a refreshing change of pace from most TV depictions of journalism, be it The Bold Type’s excessive glamor, The Morning Show’s heightened spectacle, Great News’ absurd comedy, or The Newsroom’s overt preachiness.
McCarthy’s show centers on journalists at The Daily Alaskan, who despite a humble readership strive to report on their state’s affairs, whether it’s a beloved restaurant closing down or government corruption. The series stands out because of how it carefully depicts crafting a story—finding the right angle and reporter, struggling to chase down sources, meeting deadlines, battling corporate overlords, and all that endless Slack-ing.
Only a few shows, like Succession and The White Lotus, have briefly touched on digital media’s veracity. Believe it or not, most real-life newsrooms don’t feature employees with chic outfits taking expeditious walks or falling into tangled romances all while magically churning out articles. Alaska Daily is authentic but never dull, thanks to solid pacing, a roster of intelligent characters, and an engaging topical mystery.
Crucially, the series gets its journalistic insights correct to the benefit of its core storyline, which examines the lack of national attention on Missing and Murdered Indigenous Women (MMIW). The show follows esteemed investigative journalist Eileen Fitzgerald (Swank), who lands in Anchorage after her fall from grace in New York City. She joins the newspaper and teams up with local reporter Roz Friendly (Grace Dove) to dive into the two-year-old case of murder victim Gloria Nanmac. The case was barely looked into before being shut down without finding the culprit; she’s one of many killed or missing Native American women who don’t get monetary, police, or media attention.