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Unhuman is, well, unwatchable
By Luke Y. Thompson June 2, 2022 | 10:32pm
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After Blue (Dirty Paradise) dresses up a hero's journey in dreamlike imagery
By Leigh Monson June 1, 2022 | 10:00am
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Neptune Frost features bold colors—and bolder ideas
By Jordan Hoffman June 1, 2022 | 10:00am
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Fire Island updates—and playfully rejects—Jane Austen’s hetero-industrial complex
By Jack Smart May 31, 2022 | 1:00pm
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The rewarding Benediction finds the poetry amid the pain
By Jordan Hoffman May 31, 2022 | 11:00am
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Watcher wants you to believe your eyes—and then judges you for it
By Luke Y. Thompson May 30, 2022 | 4:00pm
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We Feed People will make you feel like you’ve done nothing with your life
By Mark Keizer May 25, 2022 | 11:00am
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A Chiara explores a teenager's discovery of unexpected—and universal—adult truths
By Leigh Monson May 24, 2022 | 11:00am
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Crimes Of The Future revisits ideas and iconography from David Cronenberg's past
By Jordan Hoffman May 23, 2022 | 9:35pm
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The Bob's Burgers Movie serves up plenty of Belcher charm
By Alison Foreman May 23, 2022 | 4:00pm
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With Lux Æterna, Gaspar Noé gets witchy (on Yves Saint Laurent's dime)
By Jeremy Smith May 18, 2022 | 8:00pm
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Downton rekindles that old feeling in A New Era
By Martin Tsai May 18, 2022 | 7:00am
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Emergency urgently mixes college comedy and social commentary
By Mark Keizer May 17, 2022 | 7:15pm
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Nostalgia gets overwhelmingly nutty in Chip ’N Dale: Rescue Rangers
By Courtney Howard May 17, 2022 | 4:00pm
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The nuanced Hold Your Fire documents the real-time invention of hostage negotiations
By Jordan Hoffman May 16, 2022 | 2:00pm
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Firestarter, barely a flicker to start, burns out quickly
By Richard Newby May 13, 2022 | 6:35pm
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Despite an A+ premise, Senior Year fails to graduate
By Courtney Howard May 13, 2022 | 4:05pm
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Psychological horror film Monstrous is deadly...dull
By Brent Simon May 13, 2022 | 10:00am
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The Innocents finds horror in super-powered children
By Luke Y. Thompson May 12, 2022 | 3:00pm
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Top Gun: Maverick brings Tom Cruise's movie stardom full circle
By Todd Gilchrist May 12, 2022 | 12:00pm
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Pleasure provides an unflinching look at the adult film industry
By Brent Simon May 12, 2022 | 12:15am
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Jarrod Carmichael's On The Count Of Three is no laughing matter
By Martin Tsai May 11, 2022 | 1:00pm
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In Montana Story, Big Sky Country hides big family secrets
By Mark Keizer May 10, 2022 | 9:00pm
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Men is a thrilling, deranged horror masterpiece
By Jordan Hoffman May 9, 2022 | 4:00pm
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Homebound's domestic cliches deliver lackluster chills
By Leigh Monson May 8, 2022 | 1:00pm
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Operation Mincemeat delivers an intriguing espionage thriller with classic British restraint
By Brent Simon May 6, 2022 | 10:00pm
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Happening enters the Roe v. Wade debate with (unfortunately) perfect timing
By Martin Tsai May 5, 2022 | 1:00am
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The Twin wishes it were identical to better horror films
By Luke Y. Thompson May 3, 2022 | 9:30pm
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The Ravine seeks easy conclusions from complicated crimes
By Leigh Monson May 3, 2022 | 2:00pm
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Doctor Strange offers a meandering, messy multiverse
By Todd Gilchrist May 3, 2022 | 1:00pm
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Gaspar Noé's splendid Vortex explores a more conventional, but no less harrowing horror—old age
By Luke Y. Thompson May 2, 2022 | 11:00am
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In The Aviary, Malin Akerman and Lorenza Izzo flee a cult leader’s mesmerizing control
By Courtney Howard April 29, 2022 | 4:30pm
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Despite a gifted cast, Memory only evokes better films
By Luke Y. Thompson April 27, 2022 | 4:00pm
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Hatching turns an odd bird’s shell into a nesting doll of dysfunction
By Richard Newby April 27, 2022 | 3:33pm
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In Firebird, a gay love affair leads to sorrow, tragedy and too much melodrama
By Mark Keizer April 26, 2022 | 9:00pm
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Anaïs In Love wins over audiences with its heroine's consummate French charms
By Jordan Hoffman April 26, 2022 | 8:00pm
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The Bad Guys is just good enough
By Luke Y. Thompson April 21, 2022 | 4:45pm
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The Duke delivers a heartwarming take on a strange-but-true heist
By Brent Simon April 20, 2022 | 3:30am
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9 Bullets is a misfire, despite taking aim at some easy targets
By Courtney Howard April 18, 2022 | 10:00pm
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The Cellar turns a terrific horror short into a longer—but not better—film
By Richard Newby April 15, 2022 | 4:00pm
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Chariot aspires to Lynchian surrealism, but falls short
By Luke Y. Thompson April 15, 2022 | 9:00am
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Mark Wahlberg gives faith-based filmmaking a (slightly) better name in Father Stu
By Brent Simon April 14, 2022 | 11:00am
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Robert Eggers' The Northman offers Shakespearean drama wrapped in Old Norse vengeance
By Tomris Laffly April 12, 2022 | 3:38pm
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Nicolas Cage rises to the Unbearable Weight of fan expectations
By Luke Y. Thompson April 12, 2022 | 5:00am
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In Jacques Audiard’s Paris, 13th District, sex is easy, but love is hard
By Mark Keizer April 11, 2022 | 11:00am
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In All The Old Knives, Chris Pine's spy lacks Jack Ryan's edge
By Luke Y. Thompson April 7, 2022 | 9:45pm
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In The Girl And The Spider, characters speak volumes without saying very much
By Mark Keizer April 7, 2022 | 3:00pm
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Ambulance is in a stylish hurry to go nowhere in particular
By Todd Gilchrist April 6, 2022 | 11:52pm
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In Cow, a farm is a prison and death is the only escape for Andrea Arnold’s bovine protagonist
By Mark Keizer April 5, 2022 | 9:35pm
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The Secrets Of Dumbledore buries timely messages under a mountain of mythology
By Tomris Laffly April 5, 2022 | 2:00pm
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Jim Carrey helps Sonic The Hedgehog 2 speed past its predecessor
By Todd Gilchrist April 5, 2022 | 12:03am
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Valérie Lemercier’s Aline offers a bad karaoke cover of Celine Dion’s musical legacy
By Courtney Howard April 4, 2022 | 12:30pm
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a-ha: The Movie takes on much more than the one song you know
By Luke Y. Thompson April 4, 2022 | 11:00am
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Judd Apatow’s The Bubble traps fictional A-listers—and his audience—in a pandemic-era film production
By Luke Y. Thompson April 1, 2022 | 1:00am
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In Morbius, Jared Leto leads a coldblooded supervillain origin story
By Todd Gilchrist March 30, 2022 | 10:55pm
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You Won’t Be Alone asks women, which witch are you?
By Luke Y. Thompson March 29, 2022 | 9:00pm
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With The Contractor, Chris Pine and Ben Foster’s third collaboration misses its mark
By Courtney Howard March 29, 2022 | 1:00pm
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In Apollo 10 1/2, Richard Linklater injects rocket fuel into childhood recollections
By Jordan Hoffman March 25, 2022 | 9:50pm
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Naomi Watts’ real-life survival story Infinite Storm can’t handle its own truth
By Brent Simon March 24, 2022 | 9:45pm
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In 7 Days, two mismatched singles seek common ground during COVID
By Richard Newby March 23, 2022 | 3:30pm
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Sandra Bullock and Channing Tatum take audiences on a fun tour of The Lost City
By Jordan Hoffman March 23, 2022 | 5:00am
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Everything Everywhere All At Once delivers exactly what its title promises
By Jordan Hoffman March 21, 2022 | 11:00am
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In Ahed’s Knee, Nadav Lapid sacrifices political discourse for personal reminiscence
By Brent Simon March 18, 2022 | 4:20pm
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In Umma, Sandra Oh faces her worst nightmare—becoming her mother
By Martin Tsai March 18, 2022 | 1:15pm
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With Deep Water, Adrian Lyne resuscitates the erotic thriller as contemplative, campy fun
By Todd Gilchrist March 16, 2022 | 4:00pm
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Charlotte Gainsbourg's Jane By Charlotte turns home movies into a character study
By Todd Gilchrist March 15, 2022 | 6:08pm
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Modest gangster thriller The Outfit is perfectly tailored to Oscar winner Mark Rylance
By Mark Keizer March 14, 2022 | 5:00pm
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Ti West works more genre-manipulating magic with X
By Todd Gilchrist March 14, 2022 | 8:00am
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Time-travel adventure The Adam Project sends the Free Guy team to middlebrow blandness
By Brent Simon March 10, 2022 | 9:35pm
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In Gold, Zac Efron tries to polish his serious-actor bona fides
By Jordan Hoffman March 9, 2022 | 10:20pm
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Turning Red delivers a timely message as it tackles a timeless topic
By Martin Tsai March 7, 2022 | 2:00pm
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“Meat market” takes on disturbing new meaning in the dating-is-hell thriller Fresh
By Katie Rife March 2, 2022 | 1:00pm
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Cuts are sharper than expected in the clumsy Palestinian thriller Huda's Salon
By Mike D'Angelo March 1, 2022 | 2:00pm
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Colin Farrell explores the grief of the future in the beautiful sci-fi drama After Yang
By Jesse Hassenger March 1, 2022 | 12:00pm
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The Batman is a flawed but striking pop-noir blockbuster
By A.A. Dowd February 28, 2022 | 5:00pm
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Amy Poehler’s Lucy And Desi is a touching tribute to one of Hollywood’s most influential couples
By Noel Murray February 28, 2022 | 12:00pm
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A transatlantic comedy crossover is the only thing fresh about A Madea Homecoming
By Craig D. Lindsey February 25, 2022 | 6:35pm
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A real-life mother and daughter bond over blood magic in the occult horror film Hellbender
By Katie Rife February 23, 2022 | 11:00pm
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The Cursed is a foggy, sluggish variation on the old-school werewolf movie
By Katie Rife February 18, 2022 | 3:20pm
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Netflix massacres Texas Chainsaw with a lousy legacy sequel
By A.A. Dowd February 18, 2022 | 8:00am
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Channing Tatum stars with, and directs, a good Dog
By Jesse Hassenger February 17, 2022 | 11:00pm
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The future is analog in the charming sci-fi indie Strawberry Mansion
By Katie Rife February 16, 2022 | 9:40pm
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Netflix's Downfall digs into what really caused the Boeing plane crashes
By Noel Murray February 15, 2022 | 9:10pm
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Tom Holland and Mark Wahlberg retrace familiar action-movie routes in Uncharted
By Mike D'Angelo February 15, 2022 | 4:21pm
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The Playground is a battlefield in this harrowing drama about grade-school bullying
By A.A. Dowd February 11, 2022 | 9:26pm
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Amélie director Jean-Pierre Jeunet goes back to the dystopian future with Bigbug
By Carlos Aguilar February 11, 2022 | 8:00am
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Netflix’s teen-romance sequel Tall Girl 2 doesn’t have much space to grow
By Jesse Hassenger February 11, 2022 | 2:00am
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Say "maybe" to Jennifer Lopez’s Marry Me
By Caroline Siede February 10, 2022 | 5:00pm
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The Sky Is Everywhere—and so are the clichés in this well-meaning YA tearjerker
By Leila Latif February 10, 2022 | 5:00pm
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A Native boxer fights for her sister's life in the gritty Catch The Fair One
By Katie Rife February 9, 2022 | 10:33pm
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Zoë Kravitz can’t escape big tech’s eyes and ears in Steven Soderbergh’s fun Kimi
By Mike D'Angelo February 9, 2022 | 8:00pm
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Liam Neeson's latest action vehicle, Blacklight, is a shoddy pandemic production
By Craig D. Lindsey February 9, 2022 | 6:55pm
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Charlie Day and Jenny Slate try to win back their exes in the rote rom-com I Want You Back
By Vikram Murthi February 9, 2022 | 5:00pm
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A Night Of Knowing Nothing takes a sensuous look at student protests in India
By Lawrence Garcia February 8, 2022 | 10:28pm
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Death On The Nile takes a criminally long time getting to the crime
By A.A. Dowd February 7, 2022 | 2:00pm
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The Worst Person In The World is an exciting drama about how damn confusing your 30s are
By A.A. Dowd February 3, 2022 | 10:20pm
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Moonfall is a moonfail
By Mike D'Angelo February 3, 2022 | 6:00pm
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Older thankfully doesn’t mean wiser in the legacy sequel Jackass Forever
By Matt Schimkowitz February 2, 2022 | 5:00pm
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The new direct-to-streaming Ice Age sequel is a generic chunk of content
By Jesse Hassenger January 28, 2022 | 8:00am
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The Fallout is a surprisingly restrained drama about the aftermath of a school shooting
By Charles Bramesco January 26, 2022 | 9:00pm
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Tim Roth ghosts his family for the beach life in the bleak, blank Sundown
By Leila Latif January 26, 2022 | 4:30pm
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Adrien Brody takes out the trash in the visually elegant, verbally clunky Clean
By Jason Shawhan January 26, 2022 | 4:00pm
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Futura offers a vivid COVID-era portrait of Italy’s youth
By Lawrence Garcia January 26, 2022 | 3:30pm
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Finnish prizewinner Compartment No. 6 proves that rom-com formula works perfectly well with subtitles
By Mike D'Angelo January 25, 2022 | 8:45pm
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Three-part Netflix doc jeen-yuhs offers an incomplete telling of the Kanye West story
By A.A. Dowd January 24, 2022 | 4:10am
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Eight years after it was shot, dopey fantasy The King’s Daughter flops into theaters
By Charles Bramesco January 20, 2022 | 11:00pm
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Seduction is conversion in the frictionless faith-based romance Redeeming Love
By A.A. Dowd January 18, 2022 | 7:30pm
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Shot two years ago, The Pink Cloud is an eerie sci-fi premonition of pandemic life
By Katie Rife January 13, 2022 | 4:30pm
