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The audaciously stylish Darling introduces a new master and queen of horror
By Katie Rife March 31, 2016 | 5:00am
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Everybody Wants Some in Richard Linklater’s new feature-length party
By A.A. Dowd March 29, 2016 | 7:14pm
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No Home Movie and I Don’t Belong Anywhere give different glimpses of the late Chantal Akerman
By Ignatiy Vishnevetsky March 29, 2016 | 3:05pm
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Better late than never, the masterful A Brighter Summer Day comes to America
By A.A. Dowd March 26, 2016 | 5:00am
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I Saw The Light sucks the life out of Hank Williams
By Ignatiy Vishnevetsky March 25, 2016 | 5:34pm
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Baskin is more forgettable than Turkish torture porn should be
By Katie Rife March 24, 2016 | 3:13pm
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Three confrontational classics by Frederick Wiseman return to theaters
By A.A. Dowd March 24, 2016 | 3:05pm
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My Big Fat Greek Wedding 2 picks up years later but avoids the passage of time
By Jesse Hassenger March 24, 2016 | 5:00am
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Ethan Hawke sustains the Chet Baker “anti-biopic” Born To Be Blue
By Ignatiy Vishnevetsky March 24, 2016 | 5:00am
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Isabelle Huppert and Gérard Depardieu reunite in Valley Of Love
By Mike D'Angelo March 24, 2016 | 5:00am
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Batman V Superman: Dawn Of Justice is as inelegant as its title
By A.A. Dowd March 23, 2016 | 6:35pm
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They’re Watching, says this found-footage horror movie, but you shouldn’t
By Jesse Hassenger March 22, 2016 | 5:00am
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Strong cast aside, the shelved comedy Get A Job should have stayed on the shelf
By Mike D'Angelo March 22, 2016 | 5:00am
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Argentinian smash The Clan makes an interesting true story look generic
By Benjamin Mercer March 22, 2016 | 5:00am
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April And The Extraordinary World is an animated steampunk wonder
By Noel Murray March 22, 2016 | 5:00am
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Pee-wee Herman takes a Big Holiday and rides high again
By Erik Adams March 18, 2016 | 12:30am
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A curious mystery shakes up a family reunion in Take Me To The River
By Noel Murray March 17, 2016 | 3:00pm
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The writer of Nebraska gets religion in The Confirmation
By Adam Nayman March 17, 2016 | 2:00pm
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Even some delectable food porn can’t provide Sweet Bean much flavor
By Mike D'Angelo March 17, 2016 | 1:00pm
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My Golden Days is a colorful, eclectic coming-of-age story
By Ignatiy Vishnevetsky March 17, 2016 | 5:00am
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Midnight Special is a unique blend of chase flick and sci-fi parable
By Ignatiy Vishnevetsky March 17, 2016 | 5:00am
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Allegiant is the best Divergent yet, and still not good enough
By Jesse Hassenger March 17, 2016 | 5:00am
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Thanksgiving is a grueling reunion in the tough, bracing Krisha
By A.A. Dowd March 17, 2016 | 5:00am
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For better and worse, the gumshoe drama Too Late is a genre throwback
By Katie Rife March 17, 2016 | 5:00am
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Lance Armstrong is boldly unsympathetic in the otherwise rote The Program
By Mike D'Angelo March 17, 2016 | 5:00am
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The Bronze works better as a sincere character study than a Bad Santa clone
By Jesse Hassenger March 16, 2016 | 5:00am
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God, please spare us more Miracles From Heaven
By Jesse Hassenger March 15, 2016 | 10:00pm
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Fireworks Wednesday is another back-catalog gem from Asghar Farhadi
By A.A. Dowd March 15, 2016 | 5:00am
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The documentary City Of Gold is a love letter to food—and Los Angeles
By Noel Murray March 15, 2016 | 5:00am
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The Manchurian Candidate remains a thrilling classic of Hollywood paranoia
By Mike D'Angelo March 12, 2016 | 6:00am
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Christ, The Young Messiah is dull
By Ignatiy Vishnevetsky March 11, 2016 | 7:41pm
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The Perfect Match does a strange, hollow imitation of a rom-com
By Jesse Hassenger March 11, 2016 | 4:00pm
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The claustrophobic 10 Cloverfield Lane is a sequel mostly just in name
By A.A. Dowd March 10, 2016 | 7:12pm
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The joke can’t breathe in Sacha Baron Cohen’s The Brothers Grimsby
By Jesse Hassenger March 10, 2016 | 4:23pm
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Sally Field shines in the meekly unconventional Hello, My Name Is Doris
By Katie Rife March 10, 2016 | 4:13pm
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The director of Old Joy made her debut with terrific outlaw saga River Of Grass
By Mike D'Angelo March 10, 2016 | 6:00am
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Atom Egoyan embraces his lurid side in the Nazi-hunt thriller Remember
By Mike D'Angelo March 10, 2016 | 6:00am
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The sci-fi indie Creative Control imagines the hipster future
By Ignatiy Vishnevetsky March 10, 2016 | 6:00am
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Eye In The Sky isn’t quite the drone-age Dr. Strangelove it could have been
By Adam Nayman March 10, 2016 | 6:00am
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A Monty Python alum offers a cheeky economics lesson in Boom Bust Boom
By Noel Murray March 10, 2016 | 6:00am
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Only true ’90s kids will be able to sit through Max Landis’ Me Him Her
By Ignatiy Vishnevetsky March 10, 2016 | 6:00am
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No talent is no problem for the rich wannabe opera singer of Marguerite
By Benjamin Mercer March 8, 2016 | 6:00am
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Julie Delpy’s Lolo is a comedy more dark than romantic
By Keith Uhlich March 8, 2016 | 6:00am
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Paris Belongs To Us is an eerie gem of the French New Wave
By Ignatiy Vishnevetsky March 5, 2016 | 6:00am
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Grief, racial unease, and jump scares lie on The Other Side Of The Door
By A.A. Dowd March 4, 2016 | 11:23pm
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Yasujirô Ozu’s quietly staggering Late Spring returns in a new restoration
By Ignatiy Vishnevetsky March 3, 2016 | 9:16pm
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Camino squanders a dynamic talent on a lackluster story
By Katie Rife March 3, 2016 | 6:36pm
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They Will Have To Kill Us First is a doc with almost too many good subjects
By Benjamin Mercer March 3, 2016 | 4:00pm
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The director of Uncle Boonmee returns with a double dose of magical realism
By A.A. Dowd March 3, 2016 | 4:00pm
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Don’t tell Mom the babysitter’s deranged, in the creepy Emelie
By Noel Murray March 3, 2016 | 3:00pm
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The Wave proves Hollywood has no monopoly on thrilling disaster flicks
By Mike D'Angelo March 3, 2016 | 2:00pm
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Trapped looks at how new laws affect abortion providers in the Deep South
By Noel Murray March 3, 2016 | 6:00am
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Los Angeles gets the Terrence Malick treatment in Knight Of Cups
By A.A. Dowd March 3, 2016 | 6:00am
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Whiskey Tango Foxtrot could have used some 30 Rock wit
By Jesse Hassenger March 3, 2016 | 6:00am
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Clever subtext often trumps jokes in Disney’s Zootopia
By Jesse Hassenger March 2, 2016 | 5:04pm
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Gerard Butler scowls his way through the atrocious London Has Fallen
By Ignatiy Vishnevetsky March 2, 2016 | 5:00pm
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Despite its unique setting, Songs My Brothers Taught Me is pretty ordinary
By Mike D'Angelo March 1, 2016 | 6:00am
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To thrilling effect, I Knew Her Well never lets us inside its heroine’s head
By Mike D'Angelo February 27, 2016 | 6:00am
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Pieces embodies the vulgar pleasures of exploitation horror
By Alex McLevy February 27, 2016 | 6:00am
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No one told Sony that The Mermaid is Stephen Chow’s best movie in years
By Jesse Hassenger February 26, 2016 | 4:30pm
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Times have changed, and so, alas, has Crouching Tiger, Hidden Dragon
By Mike D'Angelo February 26, 2016 | 4:07pm
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Look on Gods Of Egypt, ye Mighty, and be baffled
By Ignatiy Vishnevetsky February 25, 2016 | 10:26pm
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Paul Verhoeven sprints through a farce in the crowdsourced Tricked
By Ignatiy Vishnevetsky February 25, 2016 | 6:00am
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The Studio Ghibli classic Only Yesterday finally gets a U.S. release
By Noel Murray February 25, 2016 | 6:00am
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A Country Called Home sidesteps some clichés, falls flat into others
By Jesse Hassenger February 25, 2016 | 6:00am
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Eddie The Eagle slaps a pair of dorky glasses onto a familiar underdog tale
By Katie Rife February 25, 2016 | 6:00am
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Marguerite & Julien is a slag heap of whimsy
By Ignatiy Vishnevetsky February 25, 2016 | 6:00am
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Don’t miss your chance to see Kurosawa’s masterpiece Ran on the big screen
By Mike D'Angelo February 25, 2016 | 6:00am
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Triple 9 either needed to lose some characters or gain an hour
By A.A. Dowd February 25, 2016 | 6:00am
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The Graduate’s acidic cringe comedy endures for another generation
By Mike D'Angelo February 20, 2016 | 6:00am
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Risen imagines the Gospel as a Roman cop movie
By Ignatiy Vishnevetsky February 18, 2016 | 11:00pm
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Race’s history lessons don’t gather momentum
By Jesse Hassenger February 18, 2016 | 5:00pm
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The 17th-century horror of The Witch is troubling on multiple levels
By A.A. Dowd February 18, 2016 | 6:00am
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Kiefer and Donald Sutherland join up in the by-the-numbers oater Forsaken
By Mike D'Angelo February 18, 2016 | 6:00am
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U.S. audiences won’t get much out of the Canadian animated film Snowtime!
By Mike D'Angelo February 18, 2016 | 6:00am
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Legalized pot meets the mainstream press in Rolling Papers
By Noel Murray February 18, 2016 | 6:00am
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Embrace Of The Serpent is a head trip that explains itself too much
By Ignatiy Vishnevetsky February 16, 2016 | 6:00am
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Charlie Chaplin’s The Kid hasn’t aged a day
By Ignatiy Vishnevetsky February 13, 2016 | 6:00am
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There’s bloody pathos in the resurrected-lover horror of Nina Forever
By Alex McLevy February 11, 2016 | 4:00pm
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Two strong performances can’t save the mother-son mopefest Glassland
By Mike D'Angelo February 11, 2016 | 3:00pm
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A War is almost too measured in its treatment of military protocol
By Mike D'Angelo February 11, 2016 | 2:00pm
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There’s pointless, and then there’s a scene-for-scene remake of Cabin Fever
By A.A. Dowd February 11, 2016 | 6:00am
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How To Be Single has a good personality, but it tries too hard
By Katie Rife February 11, 2016 | 6:00am
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Zoolander 2 gets Ben Stiller back in a silly mood
By Jesse Hassenger February 11, 2016 | 6:00am
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Jia Zhangke’s Mountains May Depart looks to the future, and finds the present
By Ignatiy Vishnevetsky February 11, 2016 | 6:00am
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Touched With Fire starts as a love story and turns into a lecture
By Jesse Hassenger February 11, 2016 | 6:00am
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Deadpool is a normal comic-book origin story in irreverent drag
By A.A. Dowd February 8, 2016 | 6:00am
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Jan Troell’s The Emigrants and The New Land work best as one very long movie
By Mike D'Angelo February 6, 2016 | 6:00am
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Regression backtracks on satanic horror and falls flat on its face
By Mike D'Angelo February 6, 2016 | 6:00am
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The Choice is the same damn Nicholas Sparks movie we get every year
By A.A. Dowd February 4, 2016 | 11:00pm
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Southbound puts a twisted contemporary spin on the EC Comics tradition
By Katie Rife February 4, 2016 | 4:19pm
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Eisenstein In Guanajuato struggles to bring a film icon to life
By Ignatiy Vishnevetsky February 4, 2016 | 3:00pm
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Per its title, Misconduct totally wastes Al Pacino and Anthony Hopkins
By Noel Murray February 4, 2016 | 2:00pm
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Rebecca Hall and Jason Sudeikis push past the clichés of Tumbledown
By Mike D'Angelo February 4, 2016 | 6:00am
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The Coens swipe at religion, counterculture, and Hollywood in Hail, Caesar!
By Ignatiy Vishnevetsky February 4, 2016 | 6:00am
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Adding zombies to Pride And Prejudice isn’t inherently scary or funny
By Jesse Hassenger February 4, 2016 | 6:00am
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The director of No tackles the Catholic church’s dirtiest secret in The Club
By A.A. Dowd February 4, 2016 | 6:00am
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The funny and affecting Rams strikes a rare blow for Icelandic cinema
By Mike D'Angelo February 2, 2016 | 6:00am
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For a movie that took forever to come out, Jane Got A Gun feels awfully rushed
By Jesse Hassenger January 29, 2016 | 9:24pm
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Fifty Shades Of Black is both half-baked and overripe
By Katie Rife January 29, 2016 | 3:52pm
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The Finest Hours tries to mount an old-fashioned rescue movie for the digital 3-D age
By Jesse Hassenger January 28, 2016 | 6:00am
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Rabin, The Last Day makes a national tragedy boring
By Mike D'Angelo January 28, 2016 | 6:00am
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“Find yourself,” says Kung Fu Panda movie that’s just like the other two
By Ignatiy Vishnevetsky January 28, 2016 | 6:00am
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The man behind Road House debuted with the nutso Jack The Ripper thriller Jack’s Back
By Noel Murray January 27, 2016 | 6:00am
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Exposed asks whether it’s possible to yawn for 102 minutes straight
By Ignatiy Vishnevetsky January 26, 2016 | 3:00pm
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The sci-fi underdog comedy Lazer Team has enthusiasm, and not much else
By Mike D'Angelo January 26, 2016 | 6:00am
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Dirty Grandpa is so tired, it could use a nap
By Jesse Hassenger January 22, 2016 | 4:10pm
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The 5th Wave is just another post-apocalyptic killer-teen soap opera
By Ignatiy Vishnevetsky January 21, 2016 | 9:15pm
