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20 years later, Tupac’s All Eyez On Me is still as raw as an exposed nerve By Wren Graves February 9, 2016 | 6:00am
“Do You Love Coffee?” saw Braid asking the important questions By David Anthony February 8, 2016 | 7:00pm
On “The Cockfighter,” Scott Walker turned his back on everything (again) By Sean O'Neal February 5, 2016 | 6:00pm
After “Lovefool,” The Cardigans broke up with the one-hit-wonder sound By Joshua Alston February 4, 2016 | 6:00pm
Watch Low perform at the Eaux Claires festival By Josh Modell February 4, 2016 | 6:00am
R.E.M.’s “Airportman” signaled the band’s post-Bill Berry shift By Annie Zaleski February 3, 2016 | 7:00pm
Bob Mould’s electronic detour isn’t as bad as its reputation By Kyle Ryan February 2, 2016 | 6:00pm
A one-of-a-kind album tried to turn ’80s pop on its ear By Ignatiy Vishnevetsky February 2, 2016 | 4:00pm
With “Be Apart,” Porches dives head-first into a new world By David Anthony February 1, 2016 | 7:00pm
Only half of El Vy knows what a group of hedgehogs is called By Marah Eakin February 1, 2016 | 3:00pm
An iconic Tom Petty song was written for someone else By Gwen Ihnat January 29, 2016 | 6:00pm
Bridget Everett on why she hates Enrique Iglesias’ “horse-and-buggy voice” By Marah Eakin January 29, 2016 | 6:00am
A Belgian art-rock band captures the despair of the failed musician By Alex McLevy January 28, 2016 | 7:00pm
On Good Old Boys, Randy Newman approaches the South with an insider’s touch By Asher Gelzer-Govatos January 28, 2016 | 6:00am
Nine Inch Nails’ “Gave Up” took self-loathing to new lows By Annie Zaleski January 27, 2016 | 7:00pm
David Bowie gave the punk movement both fuel and fire By Jason Heller January 27, 2016 | 6:00am
The Smiths found a different shade of blue on “I Know It’s Over” By Noel Murray January 26, 2016 | 7:00pm
With “Quiet,” Cloud Mouth broke the silence By David Anthony January 25, 2016 | 7:00pm
Watch Mac DeMarco try on too many hats in our new video series, Talent Show By Marah Eakin January 25, 2016 | 3:00pm
In Tortoise’s “Dot/Eyes,” the buildup is the climax By Joshua Alston January 22, 2016 | 6:00pm
“She Sells Sanctuary” isn’t just The Cult’s best song, it’s a pivotal one By Noel Murray January 21, 2016 | 7:00pm

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