Florence + The Machine open up old wounds (and stick to old sounds) on High As Hope, while both Gorillaz’s The Now…
Matt Williams
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Matt Williams is a writer and photographer based in Toronto.
Destroyer comes back strange, Bully channels ’90s fuzz, Jessie Ware evokes Whitney and Mariah, and doom duo Bell…
Heartworms, The Shins’ first record since 2012’s Port Of Morrow, kicks off with the bouncy, sun-kissed jaunt “Name…
Every Friday, dozens of new records are released into the wild. Some make big splashes, and others sink almost…
The Band’s Robbie Robertson once said, “Music should never be harmless.” But since rock ’n’ roll became less taboo…
Every Friday, dozens of new records are released into the wild. Some make big splashes, and others sink almost…
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With the soft, synth-laden glow of “Intern,” Angel Olsen opens her third full-length with this defining statement:…
Every Friday, dozens of new records are released into the wild. Some make big splashes, and others sink almost…
Every Friday, dozens of new records are released into the wild. Some make big splashes, and others sink almost…
2016 has been a big year for music, with the likes of Beyoncé, Kanye West, Kendrick Lamar, Radiohead, Chance The…
Having officially passed 2016’s midway point—look for a catch-up guide on the year’s best releases soon—the new…