In it, a fictionalized version of Campbell finally achieves his life's dream when he snags a flashy, high-profile role as a doorman/ romantic savant/wacky comic foil in a big-budget, suspiciously Hitch-like Mike Nichols romantic comedy starring Richard Gere and Renée Zellweger. To prepare for the role, Campbell immerses himself in research, working as a doorman for a day, trying his hand at wedding planning, and jumping headfirst into various other misadventures among a wide assortment of buffoonish goofballs, all played by a shamelessly over-the-top Bruce Campbell in the cheesy Photoshopped pictures littering the book. But instead of elevating Campbell to the rarified air of Hollywood aristocracy, the film instead becomes infected with Campbell's B-movie virus, spiraling out of control as Nichols begins to channel his inner Herschell Gordon Lewis.
As a first-time novelist, Campbell indulges a weakness for easy targets, lazy stereotypes, and cheap gags. If he were a stand-up comicâ€"and Make Love contains only a slightly less concentrated dose of cheesy shtick than what can be found most nights at Señor Laffsalot's Comedy Hutâ€"he'd probably break out the Viagra, Monica Lewinsky, and Michael Jackson jokes in the first five minutes. Make Love's show-business satire isn't subtle or sophisticated, but its boyish, unabashed exuberance is infectious and endearing. Like a literary B-movie, it gets by more on enthusiasm and spunk than polish or craft, and it's hard not to like a novel with running gags like Campbell's long-simmering, characteristically self-deprecating rivalries with macho journeyman character actors Christopher McDonald and Bill Campbell. Ultimately, Make Love is a Bruce Campbell novel, starring Bruce Campbell, written for Bruce Campbell fans for whom Bruce Campbell can do no wrong. They'll no doubt find Campbell's latest endeavor nothing short ofâ€"to quote one of his most famous charactersâ€"groovy.
