Cannes Time, Yay! TV Finales, Boo!
Two quick notes from the blog clearinghouse:
1. Cannes Time.
Even for cinephiles who don't get to travel overseas, these next 10 days are something special, as we obsessively check and re-check our favorite film sites for dispatches from Cannes. It's an amazing slate this year too, both in competition and out, with highly anticipated new features from the likes of Wong Kar-Wai, the Coen brothers, Béla Tarr, Kim Ki-Duk, Faith Akin, Gus Van Sant, Michael Moore, Abel Ferrara, and Emir Kusturica.
If I have one complaint about the tenor of Cannes coverage over the past couple of years, it's that most of the people who've been around long enough to get credentialed for Cannes tend to be somewhat jaded, and split between two tribes. On one side, you've got the hardcore types, yearning for austerity. They're looking for the hard sits–the films that drive cranky middlebrow critics like Variety's Todd McCarthy and Hollywood Elsewhere's Jeffrey Wells batty. On the other side, you've got McCarthy and Wells and Anne Thompson and others, who'd like nothing more than to find another Babel this fortnight. And sitting back home are a lot of dudes like me, who like movies that range from dopily commercial to aggravatingly abstract, and enjoy watching the Cannes fray from afar.
If you'd like to watch the fray yourselves, go to Variety, which offers daily reviews of nearly every film in and out of competition (most of them not written by McCarthy, thankfully), and Hollywood Elsewhere, where Wells will give a good taste of the overall Cannes experience, as well as passionately touting some films (and viciously hating others). The Hollywood Reporter also offers a full slate of reviews and industry perspectives; and, as always, look to
Greencine for a roundup of links from bloggers and reviewers far and wide, from Indiewire to The New York Times.
And for heaven's sake, don't miss what's become my favorite story of the festival: Mike D'Angelo, freelance critic (and, I daresay, friend of mine), is attending the festival blind, having avoided reading anything about the competition slate. Each day, he'll be walking into at least two movies with no idea what he's going to see when the curtain rises. His reasons? Well, better let him explain it himself. Follow the story on ScreenGrab, and probably on Mike's website as well. (Check the middle of the page for daily grades.) Mike's a notorious Cannes contrarian, shrugging off the exhortation of middlebrows and ascetics alike. It'll be interesting to see if this experiment sways his usual "eh" reaction to the Cannes program.