Hear Marisa Abela's Amy Winehouse voice in new biopic trailer, judge some Oscars songs, and more from the week in film
Catching up with The A.V. Club's top film stories from the week of January 8

Here’s why you know that song from Will Ferrell and Kristen Wiig’s hilarious Golden Globes bit
Whether you know it or not, you’ve most likely heard a piece of music written by Kevin MacLeod. If you were watching the Golden Globe Awards on Sunday night, you’ve definitely heard it. During their presentation of the award for best actor in a comedy, Will Ferrell and Kristen Wiig tried to play it straight, only to be distracted by a snippet of a bouncy song called “Fluffing A Duck” that brought out their goofiest dance moves. The bit also got some of the best reactions of the night from the audience, including Golden Globe nominee Andrew Scott and Jennifer Lopez. Even watching at home you could feel the release of tension in the crowd after a night of awkwardness and jokes that didn’t land. – Cindy White Read More
Mean Girls review: Fetch just can’t happen twice
What exactly are we meant to get from a remake of Mean Girls? This is, of course, the existential quandary of any remake: to find a purpose beyond simply being a brand regurgitation of something that was once successful and popular. But the 2024 version of Mean Girls is doubly cursed in this regard, functioning both as a retelling of the 2004 film and as a film adaptation of the Broadway musical inspired by the film. Is the introduction of musical numbers conceived for the stage enough of a reason to mine this material for the screen once more? Or is this a soulless retread that finds screenwriter Tina Fey revisiting her same story (itself adapted from the book Queen Bees And Wannabes by Rosalind Wiseman) 20 years later without finding anything new to say? The answer to both, strangely enough, is yes. – Leigh Monson Read More
The biggest snubs and surprises from the 2024 SAG Award nominations
The SAG Awards unveiled their nominations this morning, honoring actors across film and television. While the lists were fairly predictable (and heavy on the awards-bait style biopics), there were still some pretty horrendous snubs and some (mostly pleasant) surprises. Voted on by the Screen Actors Guild to honor their colleagues, the SAG Awards are often considered somewhat of a bellwether for who we could see receive an Oscar nomination on January 23. – Drew Gillis Read More
The Book Of Clarence review: An adventurous homage to biblical epics
In The Book Of Clarence, writer and director Jeymes Samuel (The Harder They Fall) imagines a 13th apostle who lies his way into being a disciple of Jesus. Set in Jerusalem in the year 33, the film follows a charming small-time crook talented in the art of hustling. He’s not a believer in God, but rather someone who sees an opportunity to ride Jesus’ popularity for his own benefit. The premise is a fun sendup of classic bible movies like Ben-Hur (1959) and The Tenth Commandment (1956), and the film straddles the line between entertaining anachronism—modern performances and soundtrack and tongue-in-cheek humor—and respect for the religious framework. But it never fully commits to either stance, thus ending up an odd, albeit entertaining, mismatch of tones and themes. – Murtada Elfadl Read More