Here’s evidence that Black Swan and Whiplash are perfect companion films
An aspiring artist dreams of becoming great, with a boundary-pushing mentor who urges them past moral and biological limits to achieve perfection. Is this describing Damien Chazelle’s 2014 breakout debut Whiplash or Darren Aronofsky’s film Black Swan from 2010? In a new video essay, Fernando Andrés isn’t alleging that one stole from the other or that they are carbon copies of each other, but instead proposes they are perfect companion films that look at similar stories in two different forms of art.