There's a reason IT: Welcome To Derry's surprise episode slipped under the radar

The bite-sized A Story Of Derry introduces Pennywise's nemesis and ropes in Zahn McClarnon, but at the cost of a haphazard story.

There's a reason IT: Welcome To Derry's surprise episode slipped under the radar

Appearing when his victims least expect it (or should that be “least expect It?”) is one of Pennywise The Dancing Clown’s most horrifying tricks. So you might say HBO’s IT: Welcome To Derry was just trying to emulate its legendary monster when it dropped a surprise half-hour episode on Halloween. Except there’s no reason to be scared of the one-off flashback titled A Story Of Derry. Co-written by Cherie Dimaline and Jasmyne Flournoy, it ties into season one’s fourth outing, “The Great Swirling Apparatus Of Our Planet’s Function.” In that episode, Dick Hallorann (Chris Chalk) uses his psychic abilities to prod the mind of a Native American man, Taniel (Joshua Odjick), and learnd that Taniel’s ancestors trapped an entity they called The Kollu—whom we know, love, and fear as Pennywise—within the confines of the cursed land that would become Derry, ME. 

A Story Of Derry depicts this exact event, opening with a note that promises to dive into parts of the IT legend too dreary to pass down through generations. In doing so, the episode sets up expectations that it can’t deliver on—despite all the cannibalism, zombies, death, creepy visions, and Pennywise on display. (He’s taking a different form here, so no Bill Skarsgård in clown mode, we’re afraid.) But any promising backstory that might be provided here gets buried under a flimsy structure, poor CGI, and various dangling threads. Different subplots don’t get time to breathe, whether it’s the interpersonal dynamics between the Indigenous community at heart or exploring how one of their own, Mitig (Zahn McClarnon, the saving grace), lost his mind while trying to survive in the jungle alone. 

It’s commendable that A Story Of Derry, like the show’s first season, gives a real voice to the Native American characters who Stephen King mostly used as set dressing in the pages of IT. The main characters here are three Native teen girls—Necani (Kiawentiio), Kino (Isabel Deroy-Olson), and Maneese (Michael Podemski)—who head into the forbidden woods in search of food, ignoring the tales they’ve heard since childhood about the danger that resides there. Soon enough, they’re hunted by It itself. Yet the Tazbah Chavez-directed outing feels shapeless until the trio is saved by the mask-wearing, seemingly batshit Mitig. 

Mitig is such a compelling figure; he comes across like he’s going to be A Story Of Derry’s new focus. He’s a fun, kooky, unpredictable guy who worships It, sacrifices his tribe members, eats their meat, and even feeds it to the girls. So, of course, he’s killed off halfway through the episode. We barely get to know him before he’s chomped on by the entity. But by that point, Mitig has already told the teen girls about how Kollu’s archenemy, Maturin The Turtle, revealed the truth to him about Kollu’s existence. Mitig rehashes a story that anyone who’s read the source material and seen the Muschetti movies already knows—Kollu was banished to Earth by Maturin during a massive cosmic war, and the materials from Kollu’s cage (as we’ve seen in the movies as well) can weaken him. 

Did any of this bear repetition? Nope. At least the always-reliable McClarnon churns out an impressively uneasy performance; the kind where you don’t know whether to trust Mitig, pity him, or fear him. 

Later, a grief-stricken Necani—whose warrior mom dies because of Kollu ( not that the episode really does any work to flesh out their mother-daughter relationship)—ingests the drug that allowed Mitig to communicate with Maturin. She hallucinates the large, glowing purple reptile, who passes along crucial information about where to find the cage so that they can extract the rock’s material and use it to form a perimeter that Kollu cannot escape. Necani and her fellow tribe members go on to do exactly that, in a moment that we already knew about from “The Great Swirling Apparatus Of Our Planet’s Function.”

Maturin’s onscreen introduction has been highly anticipated and long-rumored— and yet the way his debut is shoehorned into A Story Of Derry, there’s no excitement to it. This is a subdued setup for whenever Welcome To Derry will make the time to dig into the character properly. Either that, or it’s simply a way for the HBO show to nod toward a character who also plays a big role in King’s The Dark Tower books (which Mike Flanagan may or may not adapt for Prime Video). All in all, this episode might appeal to anyone who doesn’t want to forget in the long gaps between new episodes that Welcome To Derry exists—a 1935-set season two is still on its way, scheduled to begin shooting next summer. But despite pulling at some important threads, A Story Of Derry is little more than a blip on the radar. 

Saloni Gajjar is The A.V. Club‘s TV critic.

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