Jeremy Strong's Mark Zuckerberg apparently had some defensive notes for Aaron Sorkin

Strong was clearly happy to sign on for The Social Reckoning—but "Mark Zuckerberg" wrote his director in-character emails with his own point of view.

Jeremy Strong's Mark Zuckerberg apparently had some defensive notes for Aaron Sorkin

It’s become pretty clear, over the last few years, that Jeremy Strong does not enjoy his reputation as Hollywood’s most determinedly method Method Actor. That’s obvious in a new New Yorker interview Strong gave this week, where he reiterates that he felt so betrayed by his last New Yorker profile—a 2021 piece by Michael Schulman that cemented the idea that Strong himself was not in on the basic joke of Jeremy Strong—that he did what any normal person would do with those feelings, and starred in an Ibsen play to express his unhappiness. “The Ibsen play was a response to that Profile,” Strong notes in the new piece, “Because Ibsen had written Ghosts, which he felt was a deeply personal expression that was met with ridicule and scorn by people who he thought would meet it with understanding and approbation.” As one does!

On the other hand, Strong does keep also delivering tidbits that can’t help but reinforce that exact same perception of him, possibly against his own will. Like revealing that, “sometimes at night,” while filming his new Aaron Sorkin movie The Social Reckoning, he would send his director defensive emails… in character, as Mark Zuckerberg. (“I’ve taken Jeremy out of this at that point,” he explained. “Which I know sounds crazy, but it’s really not.”) And while we know that pretty much everybody who works with Strong gets annoyed, pretty quickly, about the fact that all anybody ever wants to talk to them about is shit like this, we would really love to hear Sorkin explain what it’s like to wake up and see something like that sitting in his inbox. It’s no “Jared Leto getting his Joker on by sending used condoms to his co-workers on Suicide Squad,” obviously, but it is still highly bemusing. Do you write back? Defend your screenplay? At what point are you just making private fan fiction with your buddy Jeremy about actual, living people?

As silly as this kind of email-based personality channeling is, it’s not like we can’t see, distantly, where Strong is coming from: His belief that he needs to embody and think like the often awful people he’s portraying has created some incredibly electric performances. (Huge parts of Succession fall apart if Kendall Roy knows how funny he is.) On the other hand, we’re not the ones reading “I don’t think you’re treating me (Mark Zuckerberg) very fairly” emails while we’re drinking our morning coffee, so who’s to say what the cost actually is?

 
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