For their 14th record, Swedish metalheads Opeth deliver a concept album set sometime after World War I about a wealthy patriarch whose will upends the family with secret revelations. And like, that’s cool and all, but the real highlight here is the return of singer Mikael Åkerfeldt’s death metal growl, which he hasn’t broken out on a record in nearly 20 years. Why now, after such a long absence? “I think overall, it just made the record better, I guess,” Åkerfeldt told Kerrang! Simple, clean, elegant: exactly the opposite of Opeth’s sound, especially on this record, and it’s all the better for it.