Nicki Minaj: Pink Friday

After spending 2010 dominating the Top 40 as a guest-verse MVP, Nicki Minaj moves in front of the “featuring” credit for her first full-length, Pink Friday, which strips much of her appeal by diluting her rapid-fire, foul-mouthed rapping with far too much generic radio pabulum. Reinforcing the notion that all female MCs must also sing, Minaj spends half of the album crooning, and while her singing isn’t bad, it’s dialed into that radio-friendly sweet spot so aggressively that it loses all distinction. (A guest list featuring Hot 100 staples like Will.I.Am, Rihanna, and Natasha Bedingfield reveals which audience Minaj is chasing.) The blandness of her singing—and much of the production—throws Minaj’s verses into sharp relief, frequently giving the impression that she’s guesting on her own tracks.