Paul Schrader says he's ready to make an all-AI-"actor" movie

Asked about AI's impact on jobs, the First Reformed director answered bluntly: "Those jobs are gone, babe. You can scream ‘Stop AI’ all you want, but you can’t stop it.”

Paul Schrader says he's ready to make an all-AI-

Writer and director Paul Schrader has been flirting with AI—sometimes literally—for a while at this point, using his constantly active social media to talk up the benefits of cutting other creatives (and costs) out of the moviemaking process—because, hell, it’s Paul Schrader’s ideas he’s interested in getting on the screen these days anyway, right? Now, the Taxi Driver writer and First Reformed director has apparently decided it’s time to get those messy other humans out of his way entirely, telling THR this week that he’s moving forward on a plan to make a movie entirely built out of AI performances.

From context clues, Schrader—currently at Venice to promote his new, woefully human-strewn film The Basics Of Philosophy—is pretty clearly talking about a project previously billed as Three Guns At Dawn, a film he’s been working on ever since writing it during the recent run of Hollywood strikes in 2023. Originally sold to Netflix with Antoine Fuqua attached to produce, the film has now been “reconfigured,” according to Schrader (with the Training Day director no longer attached). Schrader described the movie—originally centered on three Black protagonists navigating around each other in south central Los Angeles—as “A noir about three brothers—a corrupt cop, a drug dealer, a serial killer—built around AI-generated human prototypes rather than name actors.”

Schrader has described Three Guns as the third of three movies he’s currently aiming himself, those associates he has not alienated through alleged sexual misconduct, and ChatGPT at: The first, Non Compis Mentis, sounds like it’ll be human-starring, while the second, The Doors Of Perception, will apparently feature 15 minutes of AI-generated drug trips in an effort to capture the feeling of doing ayuahasca with Paul Schrader. But Three Guns is clearly the showpiece here: A film designed to cut other people out of the process entirely, allowing Schrader to literally create puppets that will just say his damn words without making any problems. As for the impact on the industry, Schrader is, at least, consistent in his life-long Calvinist determinism toward the oncoming collapse of everything: “Those jobs are gone, babe. You can scream ‘Stop AI’ all you want, but you can’t stop it.”

 
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