Purveyors of nightmares lovingly rendered as collectible keepsakes, Death Waltz Records has become one of the most reliable stamps of quality in the vinyl collecting world. The British label’s reissues of cult soundtracks—some of the skuzziest films repackaged as the finest of album art objects—have included titles like The City Of The Living Dead, Ms. 45, Let The Right One In, Slumber Party Massacre, Room 237, and John Carpenter’s Assault On Precinct 13 (to name just a few in my personal collection), and soon, Twin Peaks. Just three years into its run, fanatics know that any new Death Waltz release, no matter how obscure, can be picked up on pure faith. And of course, American label Jagjaguwar has long since established itself as one of the most reliable sources of boundary-pushing indie music.