The Time Traveler’s Almanac is the largest and most definitive collection of time travel stories ever assembled. Editors, intrepid chrononauts, and world-renowned anthologists Ann and Jeff VanderMeer have compiled more than a century’s worth of literary travels into the past and the future that will serve to reacquaint readers with beloved classics of the time-travel genre. The volume includes stories from such authors as Douglas Adams, Isaac Asimov, Ray Bradbury, William Gibson, Ursula K. Le Guin, George R. R. Martin, Michael Moorcock, H. G. Wells, and Connie Willis. It even includes original non-fiction offerings from contemporary writers like Charles Yu and The A.V. Club’s own Jason Heller. The book releases March 18, so read the following excerpt and email us today to win your own copy signed by the editors VanderMeer. Two applicants will be chosen at random.
“I gave a party for time-travelers, but I didn’t send out the invitations until after the party. I sat there a long time, but no one came.” —Stephen Hawking (from an interview with Ars Technica)
Time travelers, as you will soon discover, are often too busy to attend parties – and the parties they attend are only those they know in advance are going to be good ones. Just because you travel through time does not mean that you can take time out from saving the universe, preserving history, finding your true love, or hunting dinosaurs just to confirm a famous physicist’s theories. Indeed, the shadowy Preservationists Guild1, founded in 2150, would argue that the worst thing for time travelers would be to show up at such a party.
Thus, most of us are left with the stories, the speculations – some of them based on facts and personal experiences – offered up by a variety of fiction writers. Which is not such a bad place to be. Because one thing we chrononauts know for sure: for more than a century, readers have been enthralled by time travel stories with classics from writers like H.G. Wells, Ray Bradbury, Richard Matheson, and Isaac Asimov becoming fixtures of modern fiction. Whether thrilling, cautionary, or adventurous, these imaginative what-if tales transport us to other worlds, most often right here on our own planet.
Today, time travel is as familiar a concept to readers as space travel. Such stories are more popular than ever, including such recent bestsellers as Stephen King’s 11/22/63, Charles Yu’s How to Live Safely in a Science Fictional Universe, and Audrey Niffenegger’s The Time Traveler’s Wife. The resurgence of iconic TV series like Doctor Who has fed into this trend. In addition, time travel often incorporates elements of such hot subgenres like steampunk and historical fiction, further extending its appeal. Time travel has also been popular with teens ever since the publication of such classics as Madeleine L’Engle’s A Wrinkle in Time, extending to the present-day and such popular youth novels as When You Reach Me by Newberry winner Rebecca Stead. Meanwhile, movies like The Terminator, Back to the Future, Time Bandits, Donnie Darko, and Safety Not Guaranteed have shown the cinematic range of such tales.
Oddly, however, never before has there been an anthology that demonstrated the full depth and breadth of the time travel story. Perhaps this has something to do with the Preservationist Guild’s Fifth Dictum: “Diffuse, disguise, confuse, obfuscate, deny.” Most prior attempts have zeroed in on excellent yet decidedly science-fictional tales in which the focus has been on the dreaded “time paradox” – otherwise known as either “And Then I Found Out I Was My Own Father” or “Will I Be Kissing My Grandmother By Mistake?” That may be the bedrock of time travel fiction, but there is so much more: tales of fantasy and horror that involve travel through time like Kim Newman’s “Is There Anybody There?,” E.F. Benson’s “In the Tube,” and Rick Bowes’s “The Mask of the Rex,” – in addition to such truly strange science fiction as “Traveller’s Rest,” by David Masson, “Loob” by Bob Leman, and “Hwang’s Billion Brilliant Daughters” by Alice Sola Kim.
Not all effective stories of time travel focus on epic consequences or seismic shifts in the course of history, either. What would you do if you could go backwards or forwards in time? Perhaps you might do what Christine does in Karen Haber’s “3 RMS, Good View” – use that ability to find a better apartment. Maybe you’d use it to escape a war-torn country, as in Greg Egan’s “The Lost Continent.” Perhaps you’d even try to use it to get better grades in school (“The Most Important Thing in the World,” Steve Bein), win an election (“The Final Days,” David Langford), or, for that most delicate and yet powerful of reasons, for love (“If Ever I Should Leave You,” Pamela Sargent).
You don’t even need a time machine, believe it or not. Time machines are expensive to build and notoriously unpredictable – jury-rigged and perhaps even tampered with by the Preservationist Guild. That dial you spin to pick an era is always either stuck or spinning too fast or subject to variation from the slightest encounter with a paradox pebble while in the space-time corridor. You might wind up exiled forever making fungi spaghetti for yourself and a squirrel-like distant ancestor in a lonely shale cave at the butt-end of the Cretaceous Period if you’re not careful.
So, no time machine? That’s okay. You can time travel via the Devil’s Intent, like Enoch Soames in Max Beerbohm’s accurate historical account of the same name or by eating a special plant like Dr. Phipps’ patient in Norman Spinrad’s “The Weed of Time.” You might even travel by means of magic, as in Tamsyn Muir’s “The House That Made Sixteen Loops of Time.” That might not seem very scientific, but you should see what the propaganda wing of the Preservationist Guild calls “magic” as opposed to “science.” But the ways are myriad, and the Guild’s members finite – they cannot be everywhere, suppress everything. Black holes, the telephone, mutation – any of these might suffice to move you from the twenty-first century to, say, Leonardo Da Vinci’s bedroom as he secretly dressed up and painted himself in the mirror for Mona Lisa.