Read this: Generative AI is doing a number on the romance novel market

One author claims she can produce a book with generative AI in about 45 minutes.

Read this: Generative AI is doing a number on the romance novel market

If you watched the Super Bowl on Sunday, you received the message loud and clear that Artificial Intelligence is amazing and no one will ever stop using it. But it’s not just at sporting events or from our tech overlords that we hear this message; a purportedly increasing segment of romance novelists are using the tool to churn out books. In a feature The New York Times published this weekend, several authors who have turned to generative AI were featured, one of whom claimed that she could produce a “novel” in about 45 minutes, and published 200 in 2025. 

This particular writer is Coral Hart, who runs an “author-coaching business” called Plot Prose and is reported to have coached more than 1600 on how to pump out these works. She claims she can teach people how to generate a whole book from an outline in less than an hour. As the Times article mentions, there are reasons why this has happened in the romance genre specifically. The genre makes up about 20% of all adult fiction print sales, and is, generally speaking, more reliant on tropes, like enemies-to-lovers and happy endings, than other genres. “If you hide that there’s A.I., it sells just fine,” says the writer Elizabeth Ann West. She adds, forebodingly, “Eventually readers will not care.” 

Still, there are plenty of readers who still do care. The article does give time to the dissenting voices in the industry, but most entertainingly, offers a list of some of the common issues the various AI programs will insert into the novels. One program is especially fond of using the phrase “ragged prayer,” along with words like “shiver”, “unravel”, “tangled” and “exploded.” Sonia Rompoti, an author who used AI to produce the books The Billionaire’s Curvy Match and Curves to Own: Pregnant by the Billionaire bemoaned that “When you make a point that someone is plus size, it will exaggerate, somebody is suddenly humongous,” with the program including descriptors like “a chair groaned when she sat down.” Rompoti ended up rewriting some of these scenes to “make her protagonist seem like a real person and not a caricature,” in the words of Times reporter Alexandra Alter. 

You can read the whole piece over here.

 
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