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After 16 years away, Scrubs is back and in good shape

The reliable medical comedy returns to ABC.

After 16 years away, Scrubs is back and in good shape

What are we looking for from revivals, reboots, and sequels to beloved TV series? No matter how they’re categorized, the safe bet is, essentially, audiences want the same thing they loved originally…that’s just different enough. This nostalgic trend kick-started more than a decade ago when Netflix brought Arrested Development back from the dead with the first of two extended, wildly overstuffed, and not terribly funny seasons. So many shows from the youth of elder millennial Americans have come back, zombie-like, to varying degrees of success, from Frasier to Will & Grace to Murphy Brown. Comedies are an ideal source of creative rejuvenation, but it’s often incredibly hard to find the right tone and actually remain funny for a new generation while pleasing stalwart fans. Maybe, then, it makes sense that one of the more consistently enjoyable if unremarkable returns is from Scrubs, the ABC medical comedy that kind of already rebooted itself back in the old days.

The rapid-fire opening title sequence (after a cold open that feels like a sly riff on The Pitt) is enough to clue you into the fact that this Scrubs is the same…but just different enough. The theme music, “Superman,” is as it was when the show first started airing in 2001, coupled with the image of different doctors and nurses walking near a patient’s bed and then placing an X-ray on a screen, displaying the show’s title. But this time around, J.D. (Zach Braff) swipes the digital image of an X-ray from a tablet onto a larger display monitor. Even at the ramshackle Sacred Heart Hospital, technology has changed in the last decade-plus. The simple premise of the new season is that the students have become the teachers. J.D., his best friend Turk (Donald Faison), and his on-again/off-again love Elliot (Sarah Chalke) attempt to guide a new crop of interns, including the social-media-obsessed Serena (Ava Bunn), the meek and very British Asher (Jacob Dudman), and the handsome and overly self-assured Blake (David Gridley). 

You may recall that the show featured J.D. and friends teaching a different set of interns after Scrubs shifted from NBC to ABC. In season nine, the series made its lead and other familiar faces closer to supporting players to make room for new characters (like one portrayed by a young Dave Franco). But here, Braff, Faison, and Chalke are the regulars. The new interns are all listed as guests in the closing credits, whereas special appearances by John C. McGinley as J.D.’s grouchy old mentor Dr. Cox and Judy Reyes as hard-as-nails nurse/Turk’s wife Carla get called out in the opening. 

Even in a medical comedy that somewhat inexplicably eschews serious mention of the COVID-19 pandemic, changes are undeniable. For J.D., those are primarily embodied by Sibby (Vanessa Bayer), the forcefully chipper hospital coordinator struggling to keep the staff in check so they avoid offensive nicknames, inappropriate comments, and other details that were standard operating practice during the show’s original run but could be discomfiting in 2026. (A new doctor played by comedian Joel Kim Booster is positioned as J.D.’s rival, but that doesn’t dominate the proceedings.) Bayer is, as she was on Saturday Night Live, delightfully loopy, even as Sibby’s tone policing results in low-hanging comic fruit, such as how she reacts to just about everything the older and still inappropriate surgeon The Todd (Robert Maschio) does. 

More than anything, the big takeaway from this reboot of Scrubs is that the new normal still leads to reliably funny results. Though this show never had the massive ratings success of other NBC comedies airing at the start of the 21st century, it was solidly, consistently funny and capable at blending humor and pathos in a depressing setting. That a series depicting the daily life-and-death struggles of a hospital on the brink could be perceived as comfort food is strange, but Scrubs has always happily embraced such strangeness.  

The show’s creator and executive producer Bill Lawrence excels at crafting hangout shows like Cougar Town and Shrinking. Even in a setting like this, that kind of familiarity can breed something charming, not contemptuous. The revival of the world of Sacred Heart is unashamed about bringing back as many character beats from the old show—from J.D.’s Walter Mitty-esque flights of fancy and his quirky voiceover to unexpected moments of tragedy. Most importantly, the show underlines the undeniable chemistry between Braff and Faison. Scrubs was never a sacred comic institution, so its return doesn’t feel like it can tarnish what made the show special when it initially aired. If anything, this new season only proves that the series has a formula that can keep chugging along as long as the network wants. That, for ABC, is about as good as it gets for a revival. For the rest of us, the end result is mercifully enjoyable even if it’s not breaking the mold.  

Josh Spiegel is a contributor to The A.V. Club. Scrubs‘ revival premieres February 25 on ABC.      

 
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