"Movie Review"

• film Vin Diesel’s comic-book potboiler Bloodshot is dumb fun dressed like smart sci-fi By A.A. Dowd March 11, 2020 | 4:15pm
• film The Hunt is an anemic political comedy wrapped in a blood-soaked thriller By Katie Rife March 11, 2020 | 3:35pm
• film There’s a hint of an even more fascinating story in Netflix’s true-crime drama Lost Girls By Mike D'Angelo March 10, 2020 | 7:00pm
• film Pete Davidson delivers small-time charms in Big Time Adolescence By Caroline Siede March 10, 2020 | 5:30pm
• film Gorgeous visuals make the shocking drama Swallow go down easy By Katie Rife March 6, 2020 | 10:00pm
• film Even Mark Wahlberg can do better than the forgettable Spenser Confidential By Ignatiy Vishnevetsky March 6, 2020 | 8:00am
• film Ken Loach grinds another honest man under the cruel gears of society in Sorry We Missed You By A.A. Dowd March 5, 2020 | 4:25pm
• film If you think you know what Bacurau is all about, keep watching By Katie Rife March 4, 2020 | 11:30pm
• film The style is thrilling, even when the story isn’t, in Chinese gangster noir The Wild Goose Lake By Ignatiy Vishnevetsky March 4, 2020 | 7:00pm
• film The Banker is rich only with biopic clichés By Lawrence Garcia March 4, 2020 | 5:00pm
• film Kelly Reichardt’s First Cow finds an American creation myth in a touching portrait of friendship By A.A. Dowd March 4, 2020 | 3:50pm
• film Ben Affleck dunks on his demons in the miraculously non-corny basketball drama The Way Back By Charles Bramesco March 4, 2020 | 2:00pm
• film Highbrow title aside, The Burnt Orange Heresy is a thriller of delectable surface pleasures By Mike D'Angelo March 3, 2020 | 7:00pm
• film Wendy is a glum gloss on Peter Pan from the director of Beasts Of The Southern Wild By A.A. Dowd February 27, 2020 | 3:20pm
• film Saint Frances finds grace, humor, and an ode to the female body in a familiar indie premise By Beatrice Loayza February 26, 2020 | 8:00pm
• film Greed, for lack of a better word, is not good By Vikram Murthi February 26, 2020 | 5:35pm
• film The Whistlers is a delectable deadpan noir By Ignatiy Vishnevetsky February 25, 2020 | 9:00pm
• film The Oscars should have made room for the intense and elemental A White, White Day By Mike D'Angelo February 25, 2020 | 7:30pm
• film A new version of The Invisible Man makes one of his victims intensely visible By Jesse Hassenger February 25, 2020 | 7:00am
• film Pixar loses a little of the magic with Onward By A.A. Dowd February 21, 2020 | 5:45pm
• film The spooky doll is an oddball delight, but Brahms: The Boy II is not By Jesse Hassenger February 21, 2020 | 2:51pm
• film With Young Ahmed, the Dardenne brothers fail to get inside the head of a teenage extremist By A.A. Dowd February 19, 2020 | 5:00pm
• film Love haunts Pedro Costa’s poetic and challenging Vitalina Varela By Ignatiy Vishnevetsky February 19, 2020 | 4:00pm
• film A holy man fakes it until he makes it in the moving, Oscar-nominated Corpus Christi By Mike D'Angelo February 18, 2020 | 6:00pm
• film Jane Austen's Emma gets an oddball, sumptuous, and smart new adaptation By Caroline Siede February 17, 2020 | 7:14pm