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A leaner, meaner Sisu navigates the furious Road To Revenge in a satisfying sequel

Narrative efficiency and a violent imagination keep the bloody action sequel on target.

A leaner, meaner Sisu navigates the furious Road To Revenge in a satisfying sequel

Finnish writer-director Jalmari Helander’s Sisu, 2022’s stripped-down World War II actioner that played like John Wick by way of Inglourious Basterds, balanced its narrative shrewdness with gnarly bloodletting. It’s the kind of movie where the main character, Aatami Korpi (Jorma Tommila), survives an underwater assault by slitting a Nazi’s throat and breathing through his windpipe. Sisu‘s cartoonish violence, animated by some cheaper-than-they-look visual effects, made the movie a slight B-movie destined for cult status on dorm room walls for years to come. Yet in that film, Helander’s enthusiasm for violent spectacle eventually reached the point where it all became noise. To say its sequel—the leaner, meaner Sisu: Road To Revenge—truly scales things back would be wrong, but Helander does boil his recipe down to its essentials, allowing the Wickian worldbuilding to evaporate and his technical proficiency for cleanly staged chaos to thicken. Road To Revenge is a follow-up so ruthlessly efficient that it can’t even be bothered to give its third lead character a proper name. 

Road To Revenge picks up two years after the original. World War II has ended, and Aatami, the so-called “one-man death squad,” is on the road to his homeland of Karelia, now occupied by the Soviet Union. With his trusty terrier in the passenger seat, Aatami drives his flatbed across the desolate Finnish countryside before crossing the border into enemy territory. There are fewer hanged men on the side of the road these days, but still plenty of danger as the Red Army fortifies its new dominion. Though his mission is to dismantle his family’s cottage log by log, load the lumber onto the truck, and find a quiet plot to rebuild, his presence at the border alerts the aforementioned nameless KGB officer (Richard Brake), currently stationed at a Siberian prison. While most, if not all, of the window dressing from the first movie (Aatami’s gold prospecting, any female characters) is left for the vultures, Aatami’s infamy as a one-man Soviet-killing machine has not. Legend has it that Aatami once singlehandedly killed hundreds of Soviets, and even though the war is over, they’d like some payback. It’s not Aatami who travels the road to revenge, but rather the man this nameless officer sends to take him out: Igor Draganov (Stephen Lang), the man who killed Aatami’s family with a shovel. (For all its narrative grace, Road To Revenge at least makes murder seem just a little bit more evil than all the other killings.) 

Broken into five chapters, each stylized with spaghetti Western typography that harmonizes with Rolf Gustavson’s Ennio Morricone-inflected score, Sisu: Road To Revenge carefully escalates Aatami’s trials. It’s not long after he loads his vehicle with his disassembled abode that Draganov’s goons catch up to Aatami, who strains to protect his former home in tow as the Soviets lay siege by ground and air. But even as he moves from set piece to set piece, each defined by a different vehicle and the many ways you can die in one, it’s Helander’s grasp of the fundamentals that make Road To Revenge such a bloody delight. The odes to George Miller are apparent in Helander’s over-the-top vehicular manslaughter and narrative efficiency; they’re also present in the clarity of Mika Orasmaa’s cinematography, which, in an instant, zooms from Terrence Malick-inspired moments of natural grace to a comic-book splash page that would make Zack Snyder drool. 

There’s both coherence and gravity to Road To Revenge‘s carnage, which makes the action more painful and satisfying to behold. Helander’s compositions take on the grammar of silent film, thanks to Tommila’s pained non-verbal performance and Juho Virolainen’s editing, which has the crispness of a veteran stand-up, crackling with set-ups that the audience can’t wait to hear pay off. A late-film sequence aboard a Soviet train takes excellent advantage of a battalion of sleeping soldiers tossing and turning in their bunks, their flailing arms transformed into a human security system. Aatami becomes a Karo-caked Buster Keaton as he advances through each precise sequence. 

Even better, Aatami’s Bugs Bunny-inspired violence is rarely unearned, making it even more satisfying than its predecessor, which reveled in the kinds of video-game mayhem better suited for GIFs than films. Road To Revenge makes sure there’s a clear heightening from moment to moment, whether that manifests as a new landscape, a new weapon, or a tank outfitted with explosives. Sisu: Road To Revenge is simply a more refined and enjoyable version of its predecessor. By shaving what little fat remained on his initial idea, Helander crafts an action movie that does more with less. There are moments when the sequel nearly overdoes it, when Helander’s thirst for blood threatens to overpower the film. Yet, in its simplicity, it finds a steady rhythm that quickens gradually, peaks, and resets. It isn’t profound or enlightening, but for 89 minutes, it rides the fury road confidently, flipping tanks and unleashing hell along the way.

Director: Jalmari Helander
Writer: Jalmari Helander
Starring: Jorma Tommila, Stephen Lang, Richard Brake
Release Date: November 21, 2025

 
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