AVQ&A: Our favorite Tim Curry performances

Honoring the actor who could—and did—do everything.

AVQ&A: Our favorite Tim Curry performances

We often like to say that certain performers are so talented that they could do anything or inhabit any role. But here’s the thing: Tim Curry, who died today at age 80, could. And he did. From musicals and cult genre classics to cartoon voicework and TV guest appearances, his unique performance style mixed theatricality and gravitas, making even the smallest of parts uniquely memorable. (Do you know how hard it is to steal a scene from both Carol Burnett and Kermit The Frog?) His range as an actor is so broad that it seems impossible to name just one signature role, but that’s not going to stop The A.V. Club staff from making the case for our favorite Tim Curry performances.

Darkness, Legend

The otherworldly visuals of Legend draw a line between innocence and seduction, and who better to lure Mia Sara (and us eager viewers) across so fraught a threshold than Tim Curry? Handpicked by director Ridley Scott after seeing Curry strut his stuff in The Rocky Horror Picture Show, Curry’s casting in the 1985 dark fantasy film makes perfect sense in this context: A vamping Asmodean figure who preens and bellows the virtues of eternal night, cut from a similarly profane cloth as the strutting Dr. Frank-N-Furter, larger, more imposing, and truly the stuff of the best nightmares. “Better be sexual, very sexy, this guy,” Scott said, reflecting on the Lord Of Darkness’s earliest incarnations in the Legend DVD’s supplemental documentary. Given the enormity of Curry’s booming performance, it’s safe to say that Scott and his team nailed what they were seeking in the character with their choice of actor. Shadows and evil rarely have such a sensual, sinister charge as when Curry embodied them. [Jarrod Jones]

Long John Silver, Muppet Treasure Island

While most actors are visibly thrilled to perform alongside the Muppets, few integrate into their world as seamlessly as Tim Curry. No other star could open their mouths so widely that it seemed like maybe they too were a hand puppet. Muppet Treasure Island, in all of its pirate-drag camp, is even more theatrical and broad than most performances put on by Kermit’s band of misfits, which means that Curry—as the scene-stealing Long John Silver—could fully put his West End talents to work. Simultaneously creepy and alluring, dangerous and fatherly, ridiculous and sobering, Curry’s one-legged buccaneer was, like many of his characters, pure oddball charisma. Unlike many of his characters, that allowed him to blend in with the hand-felted chaos around him, even during his showstopping earworm number. If Michael Caine played his Muppet-film Scrooge like he was “working with the Royal Shakespeare Company,” Curry played his Muppet-film Silver like he was also a Muppet. [Jacob Oller]

Wadsworth, Clue

The big multiple-endings gimmick of 1985’s Clue was meant to bring moviegoers back to the theater over and over again—you never knew which solution to the board-game adaptation’s whodunit you were going to get! Box office receipts and anecdotal evidence, however, suggest it was the type of thing better suited to home video, where budding comedy nerds like myself could scrutinize all three screwball conclusions like game tape. To internalize double entendres that would reveal themselves years later. To grasp the importance of each little pause and stammer in Madeline Kahn’s “flames on the side of my face” rant. To bear repeated witness to the sheer force of physicality Tim Curry throws behind his step-by-step explanation of “how it was all done.”

Curry’s great through the entire run of the movie—the picture of urbane dry wit, keen with the script’s abundant wordplay and incredibly sympathetic in his explanation of how he got mixed up in this farcical mess. But it’s Wadsworth the butler’s one-man recap that seals the whole deal, Curry’s breathless summarizing adding some pep to the typical locked-room-mystery denouement while he briefly steals the movie from the battery of beloved character actors being herding about the set. In the wake of his death, we’re all rightfully digging up and passing around evidence of Curry’s versatility. But for my money, there’s no clip that encapsulates his singularity as a capital-P performer like these whirlwind eight-and-a-half minutes. [Erik Adams]

Dr. Frank-N-Furter, The Rocky Horror Picture Show  

There’s a reason that Curry’s turn as Dr. Frank-N-Furter followed him for 50 years. The needle that he was able to thread with this performance—charming, menacing, violent, creepy, hilarious, often within the same syllable—is exquisite. In terms of its impact on pop culture, I don’t think it’s an overstatement to call it one of the most important film performances of the past century. It’s a performance that generations of baby queers and theater kids and degenerates (said with love) have internalized and memorized as if it were a religious text. This is because Curry refuses to ever make Frank, in all his bizarre, bawdy glory, the butt of the joke. Frank-N-Furter doesn’t have to conform to the standards of a conservative mainstream culture. It’s not that he’s weird; he is literally not of this world. Curry’s performance makes being a misfit seem like the most fun, glamorous thing in the world. He inspired generations to follow him, though there will never be another Frank quite like this. [Drew Gillis] 

Pa/Ma/Wynona Brackett, Tales From The Crypt, “Death Of Some Salesman” 

HBO’s Tales From The Crypt was always a place for actors to wallow in the grotesque. Curry didn’t need the invitation and was totally game to go full-tilt insane as Ma, Pa, and Winona Brackett, trading his distinct English baritone for a trio of husky Southern accents, in Tales‘ fifth-season premiere, “Death Of Some Salesman.” Among Cryptie’s most subversive and perverse tales of cliché Americana, the episode follows a two-timing cemetery plot salesman (Ed Begley Jr), who knocks on the wrong door and becomes ensnared by a trio of scheming Tim Currys on the other side. Curry’s ghoulish “American Gothic” makeup is only the beginning of a devilishly funny and unsettling series of rugpulls, with the late actor chewing the scenery as Leatherface’s long-lost cousins. It’s a five-course meal of Curry, one so delicious it earned the actor his only Emmy nomination. [Matt Schimkowitz]

Nigel St. Nigel, Psych, “American Duos” 

Psych loved its ’80s pop culture homages, and while Curry wasn’t around to join Christopher Lloyd, Martin Mull and Lesley Anne Warren for the endearingly goofy detective comedy’s Season 7 Clue tribute, he brought heaping of his signature delicious ham to this Season 2 riff on American Idol. Playing the Simon Cowell-esque token snippy British judge Nigel St. Nigel as James Roday Rodriguez’s fake psychic Sean and Dulé Hill’s long-suffering sidekick Gus infiltrate a televised singing competition, Curry is a hoot, delighting in (oft-justified) cruel putdowns of the would-be music stars. Naturally, someone’s out to murder the archly hilarious Nigel, with Curry unwilling to abandon Nigel’s beaming put-downs even in the face of falling stage lights and poisoned tuna fish. The long, delighted look he gives to Sean’s imperious dad Henry (Corbin Bernsen) as he reveals he’s going commando in Henry’s borrowed robe is Curry at his beady-eyed best. [Dennis Perkins]

Rooster, Annie

For all that one of Curry’s best-known roles was in The Rocky Horror Picture Show, he didn’t actually do all that much musical theater, which is a shame because he was great at it. Don’t believe me? Watch the 1982 film adaptation of Annie, in which Curry plays the role of headmistress Miss Hannigan’s (Carol Burnett) con artist brother, Rooster. A small part with a huge impact, he almost steals the entire movie. Curry, Burnett, and Broadway legend Bernadette Peters join forces for a number called “Easy Street,” which is a masterclass of physical staging and voicework. [Lacy Baugher Milas]

Premier Cherdenko, Command And Conquer: Red Alert 3

Tim Curry lent his incredible voice and talents to more than a dozen video game projects over his long career, in parts both big and small. (I will never not love his objectively terrible, but enthusiastic, New Orleans accent in the Gabriel Knight games.) But none shine as brightly as a single line he recorded for deliberate cheesefest Command And Conquer: Red Alert 3 in 2008. Famous enough to have its own oral history, Russian leader Anatoly Cherdenko’s declaration that he’s escaping to the one place uncorrupted by capitalism—say it with me: “SPAAACE!!!”—is a reminder that Curry could pack more joy into a single line than many actors do in their whole filmographies. To me, it’s a beautiful reminder that the writers out there could make their dialogue as dopey as they wanted: Tim Curry was still going to have a good time delivering it, regardless. [William Hughes]

 
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