Rosa also makes a very good point throughout this episode: Debbie is an adult who made her decision and has to live with it. Her point is confirmed when it’s revealed that Silvio Nucci didn’t even originally threaten Debbie (just offered her money) and when Debbie decides to do a bunch of cocaine (because Jake “Mr. Springtime” Peralta made it sound cool, cool, cool, etc.). As funny as Debbie is and as out of her depth as she is as a police officer, she’s not a child. Debbie even technically fits into both categories of Nine-Nine outsider characterization: incompetent and corrupt. Only, she’s not truly incompetent—she’s just got an early “kooky aunt vibe” and lacks confidence—and she’s not wholly corrupt—she did want to help her father, but her brother Derrick and then her self-doubt took over. As one last chaotic hurrah for the character, “Debbie” manages to both show off her competence (which requires her to say “HIYAH!” like Miss Piggy) and her goodness (as she spirals once she realizes Rosa and Jake will be killed). The Debbie character basically works because she’s a remix of the typical Brooklyn Nine-Nine outsider, just like Captain Kim worked for being the antithesis of one. Both were a much-appreciated character type detour.
No one watching this episode wants to believe that Debbie is crooked, and Jake leads that defense as the evidence humorously piles up against her. While optimism is Brooklyn Nine-Nine’s bread and butter, part of why “Debbie” works is because it doesn’t find a way to let Debbie off the hook for her criminal behavior. While Rosa gets Debbie some leniency for cooperating, the show still acknowledges that she’ll be looking at 10 years in prison—as opposed to 30 to life, or “15 Olympics.” Sure, it’s not even close to the expected conclusion for the character based on her “Manhunt” introduction, but it’s an interesting arc for a character whose favorite part of police work is traffic cone duty. Getting from point A to point Z isn’t as ludicrous as it sounds, as it all ends up playing on Debbie’s lack of confidence and self-esteem in an interesting way.
And as a fan of Vanessa Bayer, while I do think it would be nice to see more of her on the show, I wonder just how much this character could even maintain an extended stay on the show. Debbie is pretty much a very sad cartoon character, and “Debbie” is the show’s way of preventing the character from overstaying its welcome, ending things on a comedic high note. Like “Pimemento,” “Debbie” takes a character who is already at an 11 and somehow amplifies them even more, which is a risky storytelling choice as it is. But Brooklyn Nine-Nine has now been successful with this choice twice this season.
The “Debbie” A-plot is so very overwhelming even before Debbie starts doing coke that it’s kind of easy to forget about the B-plot. The latter is even in service of the former, but it’s somewhat inconsequential for the audience and what they know is happening. After all, Boyle, Holt, Amy, and Terry come to the conclusion that Debbie’s mother, Margaret (Christine Estabrook), is the key after we’ve already met the character. It’s really only necessary to explain how they get to the mansion, as they must’ve tracked her.
But the B-plot does also hinge on the fact that the Nine-Nine are a competitive bunch. Last week’s episode saw competition in the form of the return of the Jimmy Jab Games, with Holt and Rosa even having their own competition within the competition. While this week’s “raw” read-off between Holt and Amy doesn’t even have a conclusion—and to be fair, it can’t compete with Greatest Showman Boyle—that’s maybe for the best, as the point is simply to find Debbie. It’s a reminder that the job trumps the competitions, though I’m not sure how intentional that reminder is. More intentional is the fact that there is no lesson learned here, as Boyle’s entire “slow and steady wins the race” approach is trampled by Holt and Amy’s speed reading.
Also intentional but quite disappointing is the fact that no one is forced to wear the “MORE STUPIDER” hat that Terry “crafts” for this competition.
“Debbie” is literally a different type of high from “The Jimmy Jab Games II.” To be perfectly honest, nothing in this episode trumps Boyle’s Greatest Showman bit or Debbie’s song from that episode. (Though she does sing louder here, as promised. “She’s a mansion girl”). But despite the possibility of being too overwhelming*—as another all-in guest character focus so soon after “Pimemento”—it’s still another hilarious episode of Brooklyn Nine-Nine. I’d also say, other than the fact that Vanessa Bayer deserves her own show—a Prison Debbie spin-off—the biggest takeaway from this mini-arc is that it’s a particular solid approach to storytelling for the series, one it should stick with. Get in, get crazy, move on to the next. The stakes are high in the sense that one of the many random crime bosses the Nine-Nine knows of is involved, but they’re not so high that there isn’t a rational place to exit in such a short period of time. Guns and coke is apparently the happy medium, in terms of stakes for Brooklyn Nine-Nine.
* Personally, I didn’t find either episode too overwhelming. But I try my best to approach this all from a perspective other than just my own.
Stray observations
- Holt: “It was obviously an inside job.”
Debbie: “I bet it was Brian!”
Holt: “Why do you say that?”
Debbie: “Because… he once said he has a hot tub. You know how that crowd is.”
Holt: “I didn’t know Brian had a hot tub. That does sound bad.”
Debbie: “Yeah.”
- Debbie: “Wow. This morning’s full of surprises, huh? First, that stolen cocaine that Hot Tub Brian took. Now, this unrelated thing involving me.”
- Terry: “Just tell me why you did it.”
Debbie: “Because I need my drugs. I’m a big-time drug girl.”
- Jake: “Our plan is working. What are you worried about?”
Rosa: “There’s a loose cannon in there with two machine guns.”
Jake: “She’s not a loose cannon. I saw her apologize to a chair after bumping into it.” That and Debbie’s nickname (“Hey, lady.”) are two of the most relatable things ever.
- Holt: “I actually took a speed reading course. I tested at 800 WPM.”
Amy: “That’s pathetic. I test at 802.”
Terry: “That’s pretty close to Holt’s score.”
Holt: “No, no—802’s incredible. She pwned me. I read the entire Urban Dictionary so I could converse with the other uniformed officers. I finished it in 47 minutes.”
Amy: “I’ve never been so attracted to a gay man before. And I dated several in college.” We were robbed of seeing Holt read Urban Dictionary.
- Rosa: “Still feel bad for her now that she’s a cokehead?”
Jake: “She’s not a cokehead, she’s an innocent girl in a stressful situation who did cocaine one time and will probably never do it again.”
Debbie: “Woooo! Guess who just did more coke! This is my thing now.”
- Jake: “The point is, we all think Mr. Bean is sexy as hell and wish we looked exactly like him.”
Debbie: “You’re closer than you think.”
Jake: “Hmm?” As far as show bleeps go, the recurring Amy spelling like “[bleep]” didn’t work for me as the “international sex symbol” Mr. Bean bit. The Mr. Bean bit was art.
- Debbie: “I’m such a terrible judge of character. I was wrong about Rosa. I missed all the signs with my cousin Jared.”
Jake (whispers): “The sandwich guy?”
- Boyle: “Slow and steady wins the race.”
Holt: “Pft! Classic reg reader bull crap.”
Amy: “Yeah, what are you gonna say next, that you read to relax?”
Amy & Holt: *laugh maniacally* Director Claire Scanlon captures Boyle’s reaction to their extended laughter perfectly. That and Debbie opening the door for her mother are two of the best visuals of the episode, not counting the visuals of Debbie knocking out Rosa and then Jake.
- Debbie: “Hi, mom. Do you like my mansion?”
Margaret: “Debra Lynn, why are you holding a gun?”
Debbie: “Oh my god! Mom, I’m wearing a fur coat and that’s what you focus on?! I hate you so freaking much!” She also doesn’t care how many chimney’s Debbie has. It’s six, for the record.
- For as good as Brooklyn Nine-Nine is, it’s not exactly awards show bait. So I try not to think about the show through that particular lens. But pretty much from the opening moments of this episode (“I need you to find whoever did this and kill them… so they’re dead!”), I felt in my soul that Vanessa Bayer deserves an Emmy nomination for this.