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Isolated vocals showcase Freddie Mercury’s uncommon greatness By Gwen Ihnat March 10, 2015 | 6:00pm
With Nine Lives, Aerosmith managed one last gasp of greatness By Zach Schonfeld March 10, 2015 | 5:00am
NoMeansNo’s a cappella Dead Kennedys cover is as goofy as it is genuine By David Anthony March 9, 2015 | 6:00pm
18 musicians that need the American Recordings treatment By Evan Rytlewski, Annie Zaleski, Josh Modell, David Anthony, Noel Murray, Marah Eakin, Drew Fortune, Mike Vago March 9, 2015 | 5:00am
60 minutes of Madonna that show why she matters, as a musician and a cultural figure By Noel Murray March 9, 2015 | 5:00am
MoMA’s Björk exhibit is an undercooked attempt at a Post retrospective By Eric Thurm March 7, 2015 | 6:00am
A British punk captured the feelings of a Sopranos mobster By Sean O'Neal March 6, 2015 | 6:00pm
Explosions In The Sky inspired Friday Night Lights’ emotional score By Caitlin PenzeyMoog March 5, 2015 | 6:00pm
Ari Shaffir on L.A.’s Comedy Store and that eerie “Jeepers Creepers” song By Marah Eakin March 5, 2015 | 6:00am
Come to Nashville for the soap, stay for the songs By Gwen Ihnat March 4, 2015 | 7:00pm
With Dirty Mind, Prince dropped the double entendres By Noel Murray March 3, 2015 | 6:00am
With “Late At Night,” Buffalo Tom became the soundtrack to teen angst By Marah Eakin March 2, 2015 | 7:00pm
Juice Newton’s “Angel Of The Morning,” as interpreted by a 4-year-old By Laura M. Browning February 27, 2015 | 6:00pm
INXS gave melodramatic lovers an anthem in “Never Tear Us Apart” By Sean O'Neal February 26, 2015 | 6:00pm
Chris Jericho on how Rednex’s “Cotton Eye Joe” is “a tractor beam of shit” By Bill Jones February 26, 2015 | 6:00am
Where to start with ’80s U.K. synth-pop By Annie Zaleski February 26, 2015 | 6:00am
“Surrender” shows why Cheap Trick still rocks today By Gwen Ihnat February 25, 2015 | 7:00pm
Billy Joel was so huge in the ’80s, he could even make a dog a rock star By Erik Adams February 24, 2015 | 7:00pm
After Illmatic, Nas had to return to Earth By Clayton Purdom February 24, 2015 | 6:00am
Screaming Females’ Marissa Paternoster on the precious blandness of “Ho Hey” By Marah Eakin February 23, 2015 | 6:00am
A wintry ode highlights what made Trip Shakespeare marvelous but unmarketable By Gwen Ihnat February 20, 2015 | 6:00pm

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