INXS gave melodramatic lovers an anthem in “Never Tear Us Apart”

In Hear This, A.V. Club writers sing the praises of songs they know well. This week, we’re talking about songs we loved from our first favorite bands.
INXS, “Never Tear Us Apart” (1988)
Everyone who came of age when music videos were still in heavy rotation on MTV has a story of some band they fell in love with on first sight. My story is the opposite: I was totally put off by INXS the first time I ever saw the clip for “Need You Tonight,” in which Michael Hutchence—at the zenith of his ’80s Jim Morrison magnetism—works the camera bare-chested under a leather jacket, a giant “SEX” pin on his lapel. I was all of 10 years old the first time I saw that video, and while I’d recently experienced some confusing stirrings around Elisabeth Shue in Cocktail, sex was not especially on my mind. As it was, I felt “Need You Tonight” lacked the emotional depth that I had come to demand as a discerning, 10-year-old pop music listener, after years of being weaned on Phil Collins and Tears For Fears.
So naturally, I fell hard for “Never Tear Us Apart,” the band’s fourth single from the blockbuster album Kick, and the first to break through my stubborn sixth-grader’s belief that INXS were only capable of dance-floor fluff. They were also capable of deliciously overwrought ’80s melodrama. “Never Tear Us Apart” is the balcony serenade to the booty call of “Need You Tonight,” with Hutchence pledging his undying love over a rose petal-strewn bed of synths and cellos. In the video he wanders lonely along the foggy banks of Prague bundled in a coat and gloves, and the only thing he’s baring is his heart. As a serious boy whose understanding of love was primarily based in romantic movies and aching synth-pop, this I got.
Hutchence doesn’t need a lot of fancy words to say why he loves you. He was standing; you were there. Two worlds collided, so boom, you’re in love. He doesn’t even need to sound like he’s not a crazy serial killer. If he hurts you, he’ll “make wine from your tears”—but only because he loves you, baby. It’s all in the way Hutchence delivers these lines, his breathy howl cascading upward on “Don’t know why-y-y-y,” like those people with wings he was confusingly singing about. And just as the song has reached peak simmer, there’s Kirk Pengilly’s saxophone to deliver the final orgasmic wail.