But Anderson knew exactly what he wanted. ”Wes had the idea and a look in mind for the credits,” Marsh says. “He detailed that to me, so it was a well-defined place to start drawing from. There were to be bold, icon-like balalaikas of various sizes, and they should keep the character of the real instruments, but I was to give them personality. The dancer he imagined was a jolly, plump cossack on skinny legs. I drew him four cossack men of varying regalia and plumpness, and we worked from there for the proportions and costuming.
“Wes emphasized the balalaikas themselves. Balalaikas are really charming instruments. They’re all defined by a triangular face, but they have a lot of variety: rustic to extravagant, in a sort of comical range of sizes. Often they’re decorated with folk art, genre scenes or curling floral designs or dense pattern. So I wanted to get some of that diversity in these modest little instruments.”
Check out Marsh’s images below. The Grand Budapest Hotel is now open nationwide.