None of this is entirely shocking, given that the
Robin Hood project had been basically radio-silent since first being talked about all the way back in 2020. Although Disney’s live-action remakes show no sign of stopping any time soon, the company
has seemed to lean into more of a recency bias mentality with which projects it chooses to adapt, especially after
Snow White bombed last year. (Which is to say,
more movies that today’s 40-year-olds might have seen in theaters when they were younger, and less old favorites pulled off the VHS shelves.) The
Robin Hood remake was described as a hybrid of live-action and animation, which we’ll just have to go on imagining, in much the same manner as we have been for the last six somewhat fevered years.
We’ll also note that, as far as AMAs go, this one is a lot less PR-managed, and a lot more honest, than you often see lately: Estrada talks, for instance, about being part of the Disney machine, writing that “Disney was so special and so hard,” and that being the first non-white director at the studio “was in theory awesome but it came with some serious challenges too.” We’re not saying it’s necessarily incendiary stuff, but it does sound strikingly honest—including when Estrada expresses unhappiness at the course of a project that he eventually reveals to be 2023’s
Wish, writing, “I was sad to leave, but wasn’t super on board with the direction it took.”