Pop culture obsessives writing for the pop culture obsessed.
Pop culture obsessives writing for the pop culture obsessed.

Donald Glover's love for Lando Calrissian goes back decades

Photo: Rodin Eckenroth/ Getty Images
Photo: Rodin Eckenroth/ Getty Images

Donald Glover is good at everything. He wrote for 30 Rock, starred in Community, cultivated a Grammy-winning musical persona with Childish Gambino, and created the Golden Globe-winning, zeitgeist-capturing FX series Atlanta. He’s also only 34. And, as a new profile in Esquire outlines, his star is only continuing to rise. Atlanta’s second season drops on March 1, and his turn as Lando Calrissian in the upcoming Solo: A Star Wars Story will mark his highest-profile film role to date (and he was in a Spider-Man flick).

There are plenty of reasons to be excited for his take on the role made famous by Billy Dee Williams, but none warm the heart as much as the image of a childhood Glover fixing the cape of his Lando action figure, which, as the article notes, was one of the few black toys a child could find in a toy store at the time. “I had a doll that I slept with—the only black doll in the store—that my mom bought for me. And my dad bought me Lando,” Glover says.

Years later, Glover would recall how his agent told him his chances were slim for securing the role. “That was exactly what I needed to hear,” Glover says, “because I’m the person who’s not supposed to make it, so much so that I don’t think people recognize where I came from and what I’ve done. At a certain point, it does look easy. I do sometimes look like a Mary Sue. I was like, ‘Oh, okay, cool.’ I studied, I watched the movies a lot, and I killed it, because I was ready.”


Esquire even got Solo director Ron Howard to share some thoughts on Glover’s performance, which we’ll see when the film arrives in theaters on May 25th. “I loved his take on Lando and his passion for the character,” Howard says. “[There’s] a roguishness he understands without selling out the character’s traits. You’d be a fool not to engage him creatively.”

Glover was able to pay his father back for that action figure (and his dad’s willingness to let Glover skip school to see the “prequels”) years later, when he brought him to the Canary Islands where production had built an entire city for the film.

Check out the whole article here. 

Randall Colburn is The A.V. Club's Internet Culture Editor. He lives in Chicago, occasionally writes plays, and was a talking head in Best Worst Movie, the documentary about Troll 2.

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