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Emily In Paris hops over to Rome for another frivolous fantasy

In season five, the Netflix rom-com draws from a deeply familiar well.

Emily In Paris hops over to Rome for another frivolous fantasy

Emily Cooper (Lily Collins) may be a thinly-sketched TV protagonist, but Emily In Paris continually reminds viewers that, for better and worse, she’s a proud risk taker. In season one, she moved from Chicago to Paris for work despite not knowing anyone or speaking the language. She then cultivated a cohort of friends, love interests, and co-workers in a brief (almost fantastical) period of time. It kept her rooted in a new home, visa issues be damned. But season four ended with a twist—nay, a much-needed moment of growth. Emily bid adieu to her French problems to set up her marketing agency’s Rome office. It’s a career step up for her, but Emily is a stranger in a strange land once again, with this season drawing from a deeply familiar well.  

The endeavor isn’t a success or failure exactly. If you’re still watching Emily In Paris, it’s to be lulled into comfort by its splendid scenery, outfits, and culinary shots (courtesy of production designer Anne Siebel and costume designer Marilyn Fitoussi, among others who bring the show’s excessively colorful world to life). Does a sensible or grounded narrative matter when Emily and her pals bop around Europe to attend lavish events and meet wealthy people at every turn? No one is tuning in for coherence. Series creator Darren Star and the writers embrace frivolity, and season five swaps out Parisienne bakeries for picturesque Italian streets, providing a sufficiently beautiful and mind-numbing escape over its 10 half-hour episodes.  

Emily still faces her fair share of problems while trying to manage Agence Grateau’s expansion. On top of the list is finding more clients, which allows EIP to quite openly integrate partnerships with L’Oreal and Fendi. Her attention is most devoted to luxury fashion brand Muratori, the day-to-day operations of which are managed by her boyfriend, Marcello (Eugenio Franceschini). Mixing business and pleasure is never a good idea, and it’s surprising Emily hasn’t figured that out, considering she dated her previous client, Gabriel (Lucas Bravo). Speaking of the Michelin star chef, he pops in and out less frequently. Still, his appearances are the only weighty and interesting aspect of season five, as they help close an emotional chapter in Emily’s life. 

Emily In Paris is the type of show where Sylvie (Philippine Leroy-Beaulieu), Luc (Bruno Gouery), and Julien (Samuel Arnold) stick around in Rome due to their respective love entanglements, abandoning their office and pissing off loyal French customers. But who cares if it means Sylvie brings an old acquaintance into their workplace? Minnie Driver chews the scenery here as Princess Jane, a goofy Italian queen bee/wannabe TikTok star who joins Agence Grateau and ruins a lot of their plans. One of the campaigns is a commercial for Muratori in the vein of Cinema Paradiso, a concept taken extremely seriously by Emily and Sylvie. Another involves rebranding a company’s reputation after homophobia allegations, with Emily likening it to the reconstruction of Notre Dame. 

Emily also miraculously finds a way to rope her own Avengers into the mix. Need a singer at a promotional event? Her BFF Mindy (Ashley Park) will fly in. Have the caterers flaked? Gabriel will drop everything to cook at the shindig. Does a client need financial advice? She’ll call her ex-boyfriend/banker Alfie (Lucien Laviscount). Again, who cares if it means Mindy—a famous pop star in China but a struggling singer in France for some reason—enters a party on a yacht while covering Sabrina Carpenter’s “Espresso” and then jumps into a giant martini glass? Unfortunately, Emily In Paris recycles the love-triangle trope to no end with Mindy. Can this show please give her a storyline that has nothing to do with dudes, so an ace performer like Park can shine?

Much to the relief of President Macron, Emily does return to Paris halfway through this season, only to be hit by a wave of homesickness. Naturally, that’s when she bumps into a man who works at the American Embassy and takes her to a Fourth of July party full of hot dogs and fireworks. And just like that, all is well again. It’s too good to be true, and Emily always takes the easy and convenient way out of any pickle she finds herself in (which is usually because she caused the problem). Then again, it’s this undemanding, facetious quality that has made the show last longer than anyone anticipated.   

Saloni Gajjar is The A.V. Club’s TV critic. Emily In Paris season five premieres December 18 on Netflix.   

 
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