John Goodman had fun making The Monuments Men, Blues Brothers 2000, which is nice

The actor says he "probably shouldn't have done" the critical flops, but had fun doing them anyway.

John Goodman had fun making The Monuments Men, Blues Brothers 2000, which is nice

When an actor reflects on their entire career, it’s only natural that the duds should come up in conversation. John Goodman, recently honored with a career retrospective from the SAG-AFTRA Foundation, has known a dud or two in his long, prolific career. (Just look to the box office performance of his latest picture.) Yet two projects stand out among them all—not for their tortuous productions or his disinterest in the roles, but for how they underperformed or outright flopped despite the fun he had making them. Speaking with Joe Neumaier of WOR-710 AM Radio, Goodman reflected on his experiences with George Clooney’s critically dismissed war comedy The Monuments Men and Jon Landis’ flop sequel Blues Brothers 2000, and how both productions remain near and dear to him. 

“[The Monuments Men] was one of those movies, like Blues Brothers 2000, I probably shouldn’t have done,” Goodman said. “But I had more fun doing it working with these great musicians. Wilson Pickett, Eddie ‘Knock on Wood’ Floyd, Sam Moore from Sam And Dave, all these great cats. It didn’t do well.” As for The Monuments Men, which featured Bill Murray, Bob Balaban, Matt Damon, and Cate Blanchett among its cast, Goodman expressed his appreciation for having made it despite its cool reception. “George’s movie, I had one of the best times I’ve ever had on a film—nothin’.” His director’s excitement about filmmaking was one aspect that stands out. “George loves movies, and he loves stories, and he’s such a great storyteller himself […] I think he’s a great director,” Goodman said. “I had fun with him. Monuments Men. We were over in Germany for six months. And England.” 

“I had fun with Blues Brothers 2000, and it didn’t turn out very well,” Goodman continued. “It’s just the guys you’re with, or the women you’re with—if you hit it off with them? That’s what makes it memorable, the people you’re working with.” Blues Brothers 2000, produced years after the original (in part because its original co-star, John Belushi, died in 1982), infamously tanked at the box office, scraping together a paltry $14 million on a budget estimated at over $30 million. As for The Monuments Men, while not quite a financial flop (over $155 million worldwide on a budget roughly half that), critics were mild on the WWII picture, with A.A. Dowd pointing out its languid pace in his review for The A.V. Club, saying Clooney “drains the movie of urgency.”

One more, very fun fact came out of the conversation: Among his more obscure roles, it’s his part as “horndog cop” in the 1984 B-movie C.H.U.D. that Goodman continues to be recognized for. “Jay Thomas and I were cops in a diner, and we got ate—or whatever C.H.U.D. does,” he deadpanned. 

You can watch John Goodman’s retrospective in the video below.

 
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