New films from Spike Lee, Judd Apatow, and, uh, Kevin James are coming this June

Spike Lee chases his rollicking , which won him a very overdue Oscar for Best Adapted Screenplay, with another film that links the 1970s to today. It’s a drama about a group of veterans (played by Delroy Lindo, Norm Lewis, and ’s Isiah Whitlock Jr. and Clarke Peters) who return to Vietnam decades later, searching for both the remains of their squad leader and some gold they buried during their tour of duty. The last time Lee went to war, the result was , but Da 5 Bloods looks much livelier, at least judging from the trailer. And now feels like a pretty damn good time for a new Spike Lee joint, doesn’t it?

Originally slated for a theatrical release, Kenneth Branagh’s latest trip to fantasy land has become Disney’s most high-profile sacrifice to the streaming gods to date. Based on the bestselling YA series from Eoin Colfer, Artemis Fowl follows a would-be tween supervillain (Ferdia Shaw) who stumbles into a massive conspiracy involving fairies, dwarves, and a supernatural police force that unashamedly calls itself LEPrecon. (Really.) Josh Gad, Colin Farrell, and Judi Dench are all on hand to lend the project some name recognition, while Lara McDonnell and Tamara Smart round out its cast of younger leads.

French director Olivier Assayas reunites with Édgar Ramírez, star of his 2010 miniseries , for another based-on-a-true-story thriller about the world of international intrigue. Adapted from Fernando Morais’ nonfiction book The Last Soldiers Of The Cold War, Wasp Network stars Ramírez, Wagner Moura, and Gael García Bernal as Cuban spies who infiltrated anti-Castro paramilitary groups in Florida in the 1990s by posing as defectors. Reception at its premiere at last year’s Venice Film Festival was mixed, but given Assayas’ ability to bring both energy and ambiguity to similar subject matter, we’re looking forward to it.

Joseph Gordon-Levitt has been largely absent from movie screens for the past few years—his last starring role was in 2016’s . Appearing to return the actor to the zone of modestly scaled thrillers, 7500 casts him as an American co-pilot on a Berlin-to-Paris flight that’s besieged by terrorists. Much of the film takes place within the plane’s cockpit, where Levitt’s character is trapped with one of the hijackers. German writer-director Patrick Vollrath is making his feature debut following a number of shorts (including one Oscar nominee), and while it’s a little discomfiting to think about wringing thrills from a premise that sounds like a “fun” , a handful of reviews from its festival debut last year have been encouraging.

Two different types of doomed young-adult romances hook up in Babyteeth: Milla (Eliza Scanlen) is a young cancer patient who has a chance meeting with Moses (Toby Wallace), a slightly-less-young drug dealer. Naturally, Milla’s parents (Australian all-stars Ben Mendelsohn and Essie Davis) disapprove of this match that falls somewhere between and . But beyond that familiar dynamic, short and TV director Shannon Murphy’s first feature is otherwise unconventional, with four central characters whose different forms of pain have surprising (and sometimes surprisingly funny) dimension.

Writer-director Jon Stewart engineers a Daily Show reunion by teaming up with former correspondent Steve Carell for a political satire. Carell plays a Democratic strategist who tries to help a left-leaning veteran (Chris Cooper) win a mayoral race in a right-wing town; the RNC promptly sends its own operative (Rose Byrne) to nip this promising candidacy in the bud. Mackenzie Davis, Topher Grace, Debra Messing, and Natasha Lyonne round out an impressive cast, but it’s Carell’s mixture of broad comedy chops and serious-actor aspirations that generates the real suspense: Will this be the rare Hollywood-born political satire to score substantial laughs, or will it torpedo a comic sensibility with deadly self-importance?

Conceived, presumably, as a way to get two of Hollywood’s most toxic men out of circulation for at least a couple of weeks, this Die Hard-in-a-hurricane riff pits Mel Gibson and Emile Hirsch against baddies taking advantage of a natural disaster to rob $55 million from a safe hidden in a Puerto Rico apartment complex. Kate Bosworth and David Zayas co-star, and Michael Polish directs, but the obvious draw here (for better or worse) is Gibson, in full aging action star mode as a stubborn, retired cop who just might have a thing or two to teach the younger generation about the finer points of gunning down mooks.