Digging up family history brings up hidden secrets in Carla Simón's Romería
The filmmaker returns to Spain and her own past to plumb the depths of a painful mystery.
Photo: Janus Films
Taking inspiration from her own life, writer-director Carla Simón’s Romería is a moving self-portrait about searching for your past. Looking towards her future, Marina (Llúcia Garcia) must confirm her father’s parentage to apply for a college scholarship. Since he died years ago, she must approach her estranged family to get their blessing. This means journeying to the picturesque Spanish town of Vigo armed with only her mother’s diaries and the stories she passed on before her death, and discovering how little she actually knows about her own origin story. Romería paints a beautiful but pained story about lost loved ones and the history of the filmmaker’s country, as life has seemingly moved on.
The past is a puzzle in Romería, one whose pieces change shape as Marina learns new information about her family. Despite its somber tone, the film’s story sits somewhere between the comical parentage mystery of Mamma Mia! and the heartbreaking drama Aftersun, mixing a shifting narrative with the tragic realization that Marina will never quite know what happened with her parents, because neither are there to tell the full story. Garcia’s performance is understated and nuanced as she hides her emotions behind a poker face, although her eyes work through the pain as she learns new truths about her parents and deals with rejection from her last living relatives.