"Review"

• film Gringo calls back to the heyday of star-studded Elmore Leonard crime capers By A.A. Dowd March 8, 2018 | 9:05pm
• music David Byrne can be your guide to an uneven American Utopia By Erik Adams March 8, 2018 | 7:00pm
• film The sequel Prey At Night slashes The Strangers’ home-invasion premise into... art? By Ignatiy Vishnevetsky March 8, 2018 | 8:00am
• film Netflix’s The Outsider is the generic Jared Leto yakuza thriller no one wanted By Mike D'Angelo March 8, 2018 | 5:00am
• film Two teen girls forge a dark friendship in the tense, blackly comic Thoroughbreds By A.A. Dowd March 7, 2018 | 10:05pm
• film A Wrinkle In Time alternates clumsiness with moments of honesty and grace By Jesse Hassenger March 7, 2018 | 5:00pm
• film A dictator’s cronies jockey for power in Veep creator Armando Iannucci’s The Death Of Stalin By Ignatiy Vishnevetsky March 6, 2018 | 10:25pm
• film Isabelle Huppert gets mixed up in a love triangle in the playful, spontaneous Claire's Camera By Mike D'Angelo March 6, 2018 | 5:00pm
• aux The author of Beasts Of No Nation returns with an overwhelmingly evocative coming-out novel By Elena Bruess March 5, 2018 | 7:00pm
• aux Children Of Blood And Bone is less a novel than a YA movie franchise in waiting By Samantha Nelson March 5, 2018 | 4:00pm
• film Chronicle Of Anna Magdalena Bach, the strangest music biopic ever made, returns in a 50th-anniversary restoration By Ignatiy Vishnevetsky March 2, 2018 | 7:50pm
• music The Breeders, Camp Cope, and more albums to know about this week By AV Club Staff, Matt Gerardi, Alex McLevy, David Anthony, Steve Erickson March 2, 2018 | 6:00pm
• film Bruce Willis has a Death Wish in Eli Roth's faithfully fascist, gun-nut remake By A.A. Dowd March 2, 2018 | 2:00am
• music Andrew W.K. returns to the party, scarred but smarter By Josh Modell March 1, 2018 | 6:00pm
• film The historical action-horror hybrid Mohawk makes America the bogeyman By Katie Rife February 28, 2018 | 11:15pm
• film They Remain pushes The Good Place’s William Jackson Harper to an unsettling bad place By Alex McLevy February 28, 2018 | 5:30pm
• film The frustrating Did You Wonder Who Fired The Gun? ponders racism and erasure by way of true crime By Ignatiy Vishnevetsky February 27, 2018 | 9:40pm
• film Addiction is the real monster of Werewolf, a striking addition to the junkies-in-love genre By Mike D'Angelo February 27, 2018 | 8:10pm
• film Love, Simon often plays like sweetly progressive, second-rate TV By Jesse Hassenger February 27, 2018 | 7:30am
• aux Ben Dolnick delivers compulsive readability, if not scares, in The Ghost Notebooks By Ryan Vlastelica February 23, 2018 | 7:30pm
• music Screaming Females, Black Milk, and more albums to know about this week By AV Club Staff, Clayton Purdom, Katie Rife, Danette Chavez, Alex McLevy February 23, 2018 | 2:00pm
• film Mute is a flabbergasting futuristic dud from the director of Moon and Warcraft By Ignatiy Vishnevetsky February 23, 2018 | 8:00am
• film Alex Garland's Annihilation is weirder, wilder, and much scarier than Ex Machina By A.A. Dowd February 22, 2018 | 11:25pm
• film The YA adaptation Every Day never grows into its tricky body-swapping premise By Jesse Hassenger February 22, 2018 | 11:00pm
• film Game Night amiably goofs on the slick crime thrillers of David Fincher By A.A. Dowd February 21, 2018 | 2:00am