Using footage from Ken Burns’The Civil War, the video begins with a portrait of the bulging-eyed Robert E.T. as a narrator describes him as looking “so cold, quiet, and grand.” A historian calls him a commander who “took long chances” while we see an image of the alien-man himself sitting atop a horse, stubby, three-toed foot dangling against one flank. Something begins to wiggle loose in the viewers’ mind as the plaintive violin melody of “Ashokan Farewell” drifts in and we start to see paintings of Robert E.T. in full battle dress, riding a solo cavalry charge against the backdrop of the shining moon. Suddenly, we begin to accept this footage as a record of some forgotten, real chapter in a nation’s history.
And then, of course, we also remember what Robert E.T. stood for and his adorableness fades. This wrinkly little soldier was, after all, committed to the racist cause of the Confederate States and his defeat of the Union Army’s own pint-sized battlefield leader, George “Little Mac” McClellan, is nothing to celebrate. There should be no statues of Robert E.T. left standing in modern America. Leave him, Reese’s Pieces-cluttered beard and all, where he belongs: Only in history books and documentaries like these.