Comics Panel, August 3, 2007
The success of Fantagraphics' Complete Peanuts books have opened the door for further releases of archival Charles Schulz material, like the oddly wonderful Schulz's Youth (About Comics), a collection of one-panel cartoons Schulz drew for The Church Of God's Youth magazine early in his career. The gags are about 20 percent "teenagers are funny," and about 80 percent church jokes, but the latter makes this book something special—not because those cartoons are hilarious, but because they capture the friendly face of evangelism in late-'50s America, from the Bible camps to the building committees. Next: Someone please collect the hard-to-find Peanuts comic books… A-
The first issue of Ted May's Injury (Buenaventura) contains a few too many primitivist genre exercises, full of drawn-out fight scenes that are half-ironic. But the issue also contains one terrific story, "Panama Red," co-written with Jeff Wilson. It's a funny, painfully true memoir of a teenage metal-head showing off his newly bought joint to everyone at school—until the inevitable trip to the principal's office. May's blocky drawing style is detailed enough to get the clothes, hairstyles, and décor of early-'80s high school exactly right, and whimsical enough to take a trip inside Wilson's "mind mirror," where he imagines himself in a cloud of pot smoke, jamming to Venom… B-
DC's Minx line continues to come on strong with Derek Kirk Kim's Good As Lily, which is impressive for two major reasons: the way it takes its time introducing its characters before the big plot kicks in, and the quality of that plot. Protagonist Grace Kwon suddenly winds up saddled with three different versions of herself at various ages, from a greedy, grabby 6-year-old Grace to a crotchety 70-year-old version addicted to cigarettes and Antiques Roadshow. Kim uses that attention-grabbing conceit to tell a fairly complex little story about the things people want in life, how they change, and all the little key points where a life can start unraveling… A
The Simpsons' line of comics has never been as brilliantly subversive as the series at its best, but they've always been reliably entertaining, just a notch above the Archie/Casper school of cartoon sitcoms. The Simpsons Summer Shindig #1 (Bongo) is no exception, spending most of its 48 pages on a well-plotted but innocuous story about Bart trying to have fun at a fair with no money. In typical Simpsons fashion, penciler Phil Ortiz fills the panels with characters and jokes, like these signs on the Midway: "Prefried Refried Pork Niblets, Now With 30% More Bread!" and "World's Best Freak Show, $500 Paid If Exhibits Not 100% Alive!"… B
Nothing the Bongo Comics brain-trust has produced matches the snap of Matt Groening's own work, especially the new Life In Hell collection Will And Abe's Guide To The Universe (Harper), which compiles all the 1991-2003 strips starring Groening's two sons. Longtime Life In Hell fans came to look forward to the Will And Abe strips in the '90s, because they pulled Groening away from the punky cynicism that had become a little unseemly for a multi-millionaire, and instead showed his simple awe at the endless imagination of his kids: two bright-eyed boys soaking up the violence and nonstop sensation of pop culture. (Will on Star Wars: "If you go, beware of people clapping a lot, and beware of people dressed like Star Wars." Abe: "One thing why it is good is it had a lot of shooting and a lot of exploding and I liked it! One violent thing is that a lot of people die and I don't think mothers would like it.") In the introduction, Groening calls the book "a gift" to his kids, so they'll be able to remember how they used to be. It's a gift to the rest of us too… A