B

Dexter: Resurrection embraces pulpy potential for killer summer escapism

Showtime's latest Dexter sequel series feels like the original when it was at its best.

Dexter: Resurrection embraces pulpy potential for killer summer escapism
Introducing Endless Mode: A New Games & Anime Site from Paste

When Dexter limped to a truly disappointing conclusion in 2013 that saw prolific serial killer Dexter Morgan (Michael C. Hall) driving into a hurricane to fake his own death, fans shook their heads in disappointment. Almost instantly landing on any respectable list of the worst series finales of all time, most people presumed that was the end for the hit Showtime series based on the books by Jeff Lindsay. Of course, you can’t keep a good mass murderer down in the age of nostalgic reboots, and Dexter returned in the 2021 miniseries Dexter: New Blood, followed by a prequel series last year in Dexter: Original Sin, and now what could be accurately called the true return of the show with Dexter: Resurrection. Far more than the inconsistent pair of chapters that preceded it, Resurrection feels like the ninth season of Dexter, an outing that embraces a viciously dark sense of humor to craft consistently entertaining escapism. As was often the case with later Dexter seasons, a murderer’s row of guest stars helps.

First, a brief reminder of the now-convoluted timeline. A decade after that horrible finale, Dexter was living in the upstate New York town of Iron Lake on New Blood, keeping his “Dark Passenger” at bay while trying to forge a normal domestic existence with the local Sheriff. When his son Harrison (Jack Alcott) showed up with a few questions and a murderous passenger of his own, dominoes began to fall that ended with Dexter Jr. shooting dear old dad in the snow. While it was mostly a prequel, Original Sin revealed that poor Harrison didn’t finish the job as Dexter was still humming, saved by how the icy conditions slowed his bleeding. 

Resurrection picks up shortly after the end of New Blood as Dexter clings to life in a series of dream sequences that instantly make it clear that this iteration of Dexter is going to be a little kooky. Paramount+ has asked that critics keep the specifics unspoiled, but some very familiar faces from the entire run of Dexter appear in visions to Dexter, basically bringing him back to life, and setting the stage for a season that’s filled with callbacks to the original, including several characters that fans presumed they’d never see again. While most are still under wraps, it’s already been revealed that David Zayas is returning to this universe as Angel Batista, who tracks Dexter to Iron Lake after getting a tip from the Police Chief and connecting the dots to La Guerta’s conviction that Dexter was the Bay Harbor Butcher so many years ago. Before Angel can get a grip on Dexter, Morgan flees to New York, chasing Harrison to the city that never sleeps. A cop on his trail and James Remar returning as Harry to be Dex’s moral conscience? This is the Dexter we remember.

Of course, Harrison hasn’t exactly been living a normal life in New York City. Working at a boutique hotel, Harrison finds himself presented with an opportunity to satisfy his own Dark Passenger with a “moral murder” in the premiere, something that not only gets Angel’s attention hours away but sets two NYC detectives, Claudette Wallace (Kadia Saraf) and Melvin Oliva (Dominic Fumusa) on his trail. Even the manner in which Harrison disposes of his victim causes concern for Daddy Dexter, revealing that maybe he’s not as free of his father’s demons as he hopes.

If that sounds like a lot for the first four episodes sent to press, it really just scratches the surface. Showrunner Clyde Phillips is smart to also give Dexter a narrative arc free of the daddy drama—old-fashioned Dexter chaos that feels like the original Showtime show before dad had to worry about Harrison. It starts when Dexter learns that there’s a serial killer in New York that the press has dubbed the Dark Passenger because he’s beheading ride-share drivers. No one can have that name but Dexter. One could almost read this as a meta criticism of the serial killer dramas that followed in the footsteps of Dexter in how jealously Morgan responds to the imitator, taking action that ends up with him in a very exclusive club of serial killers led by the true crime-obsessed billionaire Leon Prater (Peter Dinklage) and his enforcer Charley (Uma Thurman, prowling through scenes like she’s ready for that third Kill Bill chapter). The fourth episode, which introduces this cadre of killers, features several Emmy winners eager to join the Dexter-verse as killers and/or victims. It’s truly fun escapism.

And that’s what Dexter has often forgotten to be in the last few outings, taking itself more seriously than the show can support 19 years into its existence. From the season premiere, Resurrection is delightfully goofy, whether it’s needle drops like Harrison listening to “Bad Decisions” by The Strokes as he clunkily chops up a body or the quirky new lead detective who has to drown out the world around her with The Bee Gees’ “Stayin’ Alive” while she does her job. The writers this season lean into the weirdness of Dexter, allowing his left-of-center personality to influence the creative energy of the show, and it invigorates the cast. Hall was the best thing about New Blood, but he often felt stranded in the snow, which is probably why the creators surround him with fantastic guest stars and supporting performances this time around. Hall has always been a great scene partner, someone who understands how to work with performers like the ensemble of Six Feet Under or Emmy winner John Lithgow, and he seems invigorated by the A-list cast he gets to play with this time around.

While more entertaining than it’s been in over a decade, this iteration of Dexter is still more thematically muddled than the show was in its prime (the first four seasons), particularly in an underdeveloped subplot involving a new friend for Dexter, a driver played by the excellent Ntare Guma Mbaho Mwine (also currently on Apple’s Smoke). The show remains at its best when it centers Dexter’s attempts at normalcy, and how they backfire. Dexter really only struggles when he tries to be normal. He’s not a father. He’s not a husband. He’s a serial killer. And when he tries to be something else, people end up dead. And, once again, it seems like he’s going to raise the body count around him by trying to protect Harrison. 

Resurrection is at its best when it lets Dexter be Dexter. When he gets a glimpse at Prater’s happy club of lunatics, there’s a spark that the show didn’t even have in its last few Showtime seasons, a reminder that Dexter Morgan is an inverted creature, someone who finds more comfort in murder than fatherhood. Welcome back, Dexter. It’s about time.

Dexter: Resurrection premieres July 11 on Showtime

 
Join the discussion...