And now, the thrilling conclusion of “Blinks.” Or at least that’s what I’m dubbing this two-part sequel to “Blink,” which plays like the Aliens to its predecessor’s Alien. Of course, I said that last week. But as long as I’m repeating myself, I also mentioned last week that I couldn’t really judge “Time Of The Angels” without seeing how things wound up in “Flesh And Stone.” Now I’ve seen both and I have to say this is one fine two-parter. Moffat found some interesting variations on ways to defeat, outwit, or just survive the seemingly unstoppable angels while advancing both the short serial story of the crack in time and the longer (I’m guessing) serial story of the Doctor’s relationship to River Song. Plus that final scene. I honestly didn’t see that coming.
Let’s start with that. (This being a show about a time traveler, I feel like I can take those kind of liberties.) It’s been obvious from the start that this Doctor-and-companion pairing had a more pronounced sexual chemistry than some of the other recent pairings. It was always there, politely, with Rose, of course, and Martha made no attempt to hide her feelings. But with these two it’s always felt like something might, you know, happen. I didn’t expect Amy to push it to the breaking point this soon, however. And is there at least a half-second of reciprocation coming or is he just thinking? Is he figuring out how this moment fits into the larger scheme of cracks in time and space or pondering, if only fleetingly, what it might be like to take some pleasure the humans he so admires? (Amy even makes it clear she expects nothing long term, to say nothing of centuries of long term.)
It’s a startling, funny moment, and I think it sends a signal that Moffat doesn’t necessarily intend to draw things out. It took a season to find out what “Bad Wolf” was all about but here we already know at least part of what’s going on with that weird rift. Amy might have kept the Doctor in the dark about her impending wedding a while longer, too. And yet now he knows. Similarly, this episode resolved its major storyline with the angels with time to spare. We should expect the unexpected, in other words.
That’s true of the episode itself, too. I wasn’t expecting Amy to have to walk blind through much of the episode, a neat reversal of the central premise of “Blink.” The episode kept ratcheting up the tension from last week, and a lot of the credit should go to director Adam Smith and whoever designed that eerie space-forest set. Particularly effective: the shots of Karen Gillan looking a lot like a helpless Red Riding Hood in that red pullover.
Nicely done. And not, I think, an accident. The season’s been playing with images from fairy tales and children stories from the start. This week, the Doctor and River even have an exchanged acknowledging it. (“That’s a fairy tale.” “Aren’t we all?”) It’s working. And the River sub-plot gives it some gravity. Does anyone else think the man River kills is the Doctor himself? We may be in cosmic fairy tale land, but that doesn’t mean we’re heading toward a happy ending, does it?
Meanwhile: Vampires in Venice await. (Though I’m going to hand off reviewing duties to the extremely capable Todd VanDerWerff for one week. See you in two.)