On today’s episode of Film Club, A.V. Club film editor A.A. Dowd and staff critic Ignatiy Vishnevetsky sit down to discuss the delightful Isle Of Dogs, Wes Anderson’s second foray into stop-motion after 2009’s Fantastic Mr. Fox. Set off the coast of the fictional Japanese metropolis Megasaki, Dogs imagines a dystopian future of exiled canines on a remote garbage dump—another of Anderson’s elaborately, superbly achieved alternate universes, this time touched by an unfortunately timely resonance.
Is Isle Of Dogs one of Wes Anderson’s best movies, or just his most overtly political?
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