Mangled by Harvey Weinstein, Wide Awake is the twist M. Night Shyamalan’s career didn’t take
Watch This offers movie recommendations inspired by new releases, premieres, current events, or occasionally just our own inscrutable whims. This week, ahead of Easter, we’re looking at films about Christianity.
Wide Awake (1998)
People who think M. Night Shyamalan immediately came out the gate with The Sixth Sense may be surprised to know that he had two films under the belt by 1999: His 1992 debut Praying With Anger (which didn’t get a proper theatrical release and mostly played at film festivals) and his 1998 follow-up Wide Awake (which did get a proper theatrical release—but we’ll get into that later). Wide Awake may come as a further shock to those who know Shyamalan as a prime dispenser of cinematic suspense. It’s actually a quiet family film that touches on themes of religion, spirituality, and higher powers—themes that have been consistent in the director’s later, more supernatural work.
Wide Awake casts a very young Joseph Cross as protagonist/off-camera narrator Joshua A. Beal, a Philadelphia kid who just lost his beloved grandfather (the late, great Robert Loggia) to bone-marrow cancer. He spends most of his fifth-grade year of Catholic school trying to communicate with God to see if his grandpa is okay, delving into other religions along the way. Of course, this concerns his family (which includes Dana Delany and Denis Leary as his parents and a pre-10 Things I Hate About You Julia Stiles as his bratty sister) as well as the school faculty, which includes Rosie O’Donnell as a baseball-loving nun. (There’s a sense that Shyamalan had O’Donnell for a limited time, since she rarely interacts with the students during her scenes.)
If you’ve never heard of this movie, you have one person to blame: convicted sex offender Harvey Weinstein. Yes, Wide Awake was a Miramax release, which meant that Harvey Scissorhands poked his nose all through the production of this film. When it was done, there was a screening that ended with Weinstein verbally berating Shyamalan, prompting the young director to break down into tears. Later, O’Donnell called Weinstein to defend Shyamalan, but that didn’t end well, either. She too was slammed by Weinstein, who hit her with the b- and c-words and also made O’Donnell cry.