Ozark and Fraggle Rock serve up excellent new seasons this weekend
Plus: Season 3 of The Servant, Jason Katims' As We See It, and Asghar Farhadi's The Hero

Here’s what’s happening in the world of television for Friday, January 21, and Saturday, January 22. All times are Eastern.
Top picks
Ozark (Netflix, Friday, 3:01 a.m.): Tonight, the crime drama starring Jason Bateman and Laura Linney kicks off its fourth season, which will be split into two parts. “The first half of the final season is packaged such that it sets up the show’s obviously ill-fated end—it’s hard to see how Marty (Jason Bateman) and Wendy Byrde (Laura Linney) can have a happy ending. But the seven episodes also work well as a shorter season of the show. Ozark returns to prove its worth in the genre by remaining a riveting and satisfying crime drama to its bitter (almost) end.” Here’s the full review of the first half of season four. And if you need a refresher before starting your binge, here’s a helpful catch-up guide.
Fraggle Rock: Back To The Rock (Apple TV+, Friday, 12:01 a.m.): “Debuting a year after Apple TV+ launched a series of pandemic-set shorts featuring the core Fraggles, Fraggle Rock: Back To The Rock suggests that the mistake was thinking Fraggle Rock needed to be “reimagined” at all. Yes, Back To The Rock reflects how the world has changed since the original series about the fun-loving creatures living behind the wall of Doc’s workshop debuted in 1983.” Read Myles McNutt’s complete review.
Regular coverage
RuPaul’s Drag Race (VH1, Friday, 8 p.m.)
Saturday Night Live (NBC, 11:29 p.m.)
Wild cards
The Hero (Prime Video, Friday, 12:01 a.m.): “It’s with great efficiency that A Hero introduces its title character and communicates his dilemma. Glimpsed, early on, ascending an endless flight of stairs—a shrewd visual representation of the daunting uphill climb of his present circumstances—Rahim (Amir Jadidi) is an incarcerated calligrapher out of prison on leave for two days. It’s an unpaid debt that landed him behind bars; as we learn, his troubles began when a professional partner skipped town with the money the two borrowed to start a business.” Here’s A.A. Dowd’s review of the Asghar Farhadi-directed film.