Premonition
What does it say about the times that the last two Sandra Bullock movies, The Lake House and now Premonition, have stories that split into two temporal planes, for reasons left completely unexplained? The former follows a love connection between two people living two years apart; the latter volleys between the days leading up to and following a fatal accident as if Friday were the day after Monday. Since Memento, such gimmickry has mostly infiltrated the mainstream in the form of thrillers like Déjà Vu and The Jacket, but to see it applied to two straight romantic melodramas starring Bullock—one of Hollywood's least adventurous stars—means something. Clearly, mainstream audiences are growing more comfortable with movies that stray from chronology, but more than that, it speaks to how the lives of even high-gloss heroines like Bullock are fraught with anxiety and instability. Is this how People magazine readers are feeling these days?