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Redemption drama They Fight boxes itself into a corner

A narrative remake of a documentary gets knocked out by traditional tropes.

Redemption drama They Fight boxes itself into a corner

The days of mega boxing celebrities like Muhammad Ali, George Foreman, and Mike Tyson may be a thing of the past, but boxing movies have yet to lose their luster. In recent years, Rachel Morrison’s The Fire Inside brought Claressa “T-Rex” Shields’ story to the big screen, the scrappy indie darling The Featherweight told Willie Pep’s story, and even last year’s unsteady biopic about Christy Martin still drew in a festival crowd curious to see Sydney Sweeney in the ring. There’s even a behind-the-scenes movie about the making of Rocky slated for the fall. Sheldon Candis’ film They Fight follows much of the same footwork as the rest: An underdog in need of redemption finds it in the sweet science. But on top of the training montages, there’s a twist. The training is not for our protagonist, but for the next generation, as the former athlete learns what it takes to become a coach.

Based on a true story and a documentary of the same title, They Fight begins with Walt (André Holland) as he returns home from a stint in prison. His estranged partner, Ketta (Samira Wiley), isn’t happy about his release and tries to keep her distance, leaving Walt to fend for himself. Trying to piece together his life, he lands in a local D.C. rec center to use the computer, where a coach named Slim (Wendell Pierce) pulls him into working at the gym, first by cleaning it, then by helping him coach the kids excited to put the old ring back into use. As the program gets underway, Peanut (Anthony B. Jenkins) and Quincey (Toissaint Francois Battiste) emerge as the gym’s top fighters, but a growth spurt and a little extra eating may pit the two best friends against each other. 

Candis, who co-wrote the script with the documentary’s director Andrew Renzi, retraces the basic hero’s journey as a team effort between coaches and their students. The narrative arc is a familiar one, and Candis and Renzi don’t deviate from the formula for anything surprising or thrilling, keeping the film flat. Matches speed by to get back to the personal drama, limiting the power of the drama inside the ring. The whole exercise is rote, as even Walt’s personal problems are underwhelming. 

The adult performers do the best they can with what they’ve got, but even they can’t invigorate They Fight. As Walt and Slim, Holland and Pierce rely on each other, moving from an adversarial first meeting to brothers-in-arms on the edge of the ring—putting the kids through the paces, teaching them to run with bricks and how to properly throw a punch. Holland keeps Walt restrained, as if he were holding back the memories of his prison time from continuing to haunt him. But once his character’s redemption arc begins, Holland takes a back seat, letting his younger costars take center stage. Pierce takes on a more commanding figure, coaching not just the kids but Walt as well, showing him how to lead. Meanwhile Wiley plays a character hurt by Walt’s decisions, one whose tenuous reunion drives much of the first half of the movie, but that tension evaporates as the movie goes on, leaving an emotional void in the second half. 

Renzi’s documentary already possesses so much natural drama that this fiction version is a step down. A few moments look great, hearkening to the intensity of the source material, but others are bafflingly amateurish, as if Candis and cinematographer Mark Jeevaratnam didn’t know how to hide that their actors were standing in front of fake backgrounds. This is especially apparent in scenes like an unnaturally staged local news segment, or in one of the closing shots of a wedding, where the couple looks like they’re floating in front of rows of empty fake tables.

Given that the original film is already so slick and stylish, They Fight had its work cut out for it, and the filmmakers can’t compete. It’s a more kid-friendly version of the story, one that’s been simplified and smoothed down, but the craft lacks the finesse of a winner, knocking itself out of the ring with awkward set-ups and underwhelming storytelling. Even with a talented cast and endearing performances in its corner, that’s not enough to keep the movie standing. 

Director: Sheldon Candis
Writer: Sheldon Candis, Anthony Renzi
Starring: André Holland, Wendall Pierce, Samira Wiley, Anthony B. Jenkins, Toissaint Francois Battiste
Release Date: July 17, 2026 (Hulu)

 
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