Tony Gilroy almost scrapped Behemoth! after losing Oscar Isaac to Frankenstein commitments

The director knew he found the right replacement 10 minutes into a lunch meeting with Pedro Pascal.

Tony Gilroy almost scrapped Behemoth! after losing Oscar Isaac to Frankenstein commitments

Behemoth! writer-director Tony Gilroy says the movie probably wouldn’t have been made without Pedro Pascal stepping up. In a new interview with Variety, Gilroy recalled Oscar Isaac, originally attached to play the talented cellist at the center of the film, dropping out because of scheduling conflicts with Frankenstein and awards season. “When Oscar left, there was a traffic jam between Frankenstein and awards and I tried to push again,” Gilroy said. “I didn’t want to lose my people, but I didn’t want to push anymore.” Guillermo del Toro’s Frankenstein was filmed in 2024 and released in 2025, positioning it as an awards-season contender. Gilroy said that he was prepared to tell the people involved in Behemoth!, “Hey, we really tried hard, but we’re not going to do this movie now. I’m going to try to come up with something else for us to do.” Then, he and producer Sanne Wohlenberg met Pascal for lunch, and the director realized 10 minutes in that he was a good fit to portray Alex Serian, a musician who returns home to Los Angeles after 20 years on the road. Luckily for them, Pascal, who’s frequently booked and busy, was actually available. 

“We had a three-hour meeting that was more of a prenup than a meeting because after about half an hour, we’d decided, ‘OK, we like you, you like us, nobody’s selling anything,'” Gilroy said. The following day, Pascal got to work learning to play the cello. That wasn’t the only casting shakeup that affected Behemoth! David Harbour was also initially set to play Alex’s brother, Andy Serian, but he reportedly needed a break after Stranger Things (the role later went to Will Arnett). At a press conference before the movie’s world premiere at the New York Film Festival in October, Gilroy said Pascal’s performance elevated the character and prevented Alex from being perceived as passive. Gilroy and Pascal also recalled the quick timeline in which the actor signed on for the movie and trained to believably portray a virtuoso cellist. “The cello was the main character of my life for several weeks leading up to shooting. I took it with me everywhere,” Pascal said.

 
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