Margin Call
Translating the nation’s financial woes into feature films has normally produced dramas as gripping as the current daily tussle over the debt crisis, which is to say not very. That’s because, as scary as the ongoing financial fallout has been, the story doesn’t make for especially compelling narrative (though documentaries like Inside Job have done just fine), as at its heart, it’s just a story about numbers, and the forcing of actors to imbue those numbers with some sense of menace to convey just how gravely important they are. The “Wall Street drama” is a disaster film in the abstract, where the doom arrives in the form of statistics, no matter how terrifying those statistics might be in the real world. So how does the new Margin Call attempt to turn this Very Important yet ultimately sort of dull story into the kind of thing that doesn’t make the average audience’s eyes glaze over?